Posts Tagged ‘Wesley Snipes’

King of New York

Saturday, January 1st, 2005

In this movie Christopher Walken plays Frank White who is the King of New York. He is not literally a king but actually some sort of crime boss of New York. He’s fresh out of the joint and unlike certain heroic individuals who choose to turn their life around and follow a path of Positivity, making the world a better place through art and culture, he decides to be king of new york. But he says he’s gonna build a hospital so that makes it okay.

The director is Abel Ferrara, an asshole director who I sort of like. I mean I never met the guy obviously but he’s one of those greaseballs like Vincent Gallo where, before you even see an interview with the guy, you just get the feeling he’s an asshole. In his movie DRILLER KILLER I didn’t even realize he was the star (he used a pseudonym) and I kept thinking this star really thinks he’s hot shit, it’s not just the character. What a fuckin asshole. But then I listened to the commentary track and heard Ferrara say the same exact thing about himself. So I had to like him.

Plus, some assholes are talented and I think Ferrara is, at least sometimes. He makes gritty, raw movies, alot of them bad, some of them good. His commentary tracks are always funny and even on a movie like this, maybe the best he’ll ever make, he makes fun of it like it’s some corny slasher movie. Here he makes a crime saga but he doesn’t have Hollywood germs tainting his blood so he makes it serious and brutal and unformulaic. You could argue that he’s one of these pretentious New York underground art type assholes, and that that’s not necessarily better than being a corny Hollywood asshole. True, but I prefer the New York asshole for making KING OF NEW YORK. Especially a macho guy like Ferrara. (more…)

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ZigZag

Saturday, January 1st, 2005

Leguizamo, and Snipes, the box says. The Star & Writer of Blade & Blade II Reunite, the box says. For the first time in months, I think.

I don’t know, this is only a screener, maybe they’ll change the cover, which is colored like THE ROCK or TRAFFIC and just shows giant closeups of John and Wesley’s faces, lookin real serious. You have no fuckin clue what kind of movie this is. “One’s good. One’s bad. An innocent boy is caught in the middle.” Where’s the boy, then?

See, this movie is not a Wesley Snipes movie at all. He plays a crucial role but he’s only in a handful of scenes. Leguizamo is more important but the actual star is Sam Jones III. This young man plays a 15 year old autistic kid who’s bein looked after by Singer (Leguizamo), who named him Zig Zag and convinced him his talents were super powers. Wesley is great as Zig Zag’s dad, an abusive crackhead. The story is about how Zig Zag steals money from work, and then his dad steals it from him, but Singer doesn’t want Zig Zag to get in trouble so he tries to steal it back from the dad so he can give it back to the work and I mean, you know, complications happen. Not real spectacular complications, really, but complications.

This is by no means an action movie, suspense thriller, comic strip vampire epic, mystery, action adventure or neo-noir. There are no guns, no parachutes, no motorcycles. Not even fires. Only one baseball bat. Well, two, but one’s off screen. It’s really just kind of a character drama from an outsider kid’s point of view, reminded me a little bit of THE MIGHTY, but less corny, and even a little of FRESH, but not as good. (more…)

Only 1 person likes this post. Kinda sad.

Blade: Trinity

Saturday, January 1st, 2005

Man I tell you, I wish it was possible for lightning to strike 3 times in the same spot. It would be useful for many things including meteorological research and movie trilogies. But it’s not possible. Never happened. Not once. Only once has it hit the same exact place twice. And that place was the exact spot where Blade was standing at the time. Both times.

What I’m saying obviously is that BLADE III – and I will not call it BLADE TRINITY because what the hell kind of name for Blade III is BLADE TRINITY – is no BLADE or BLADE II. And there are many reasons why. The most immediate thing you notice: it just doesn’t look as good. Steve Norrington and Guillermo Del Toro were both so careful and artful. BLADE felt so exact and carefully composed, II was so spooky atmospheric with shiny gold tinted edges. III (directed by the guy Dave Goyer who wrote all the other ones but only directed the small indy drama ZIG ZAG) tries hard to imitate some of both of those looks. It has the same cinematagraphist as the last one, and I mean it’s not an ugly movie. But you can tell it’s not quite real. Not it’s own look, not quite capturing the previous looks. I think I read this was more expensive than the others but to me it feels cheaper. Almost like a really damn impressive TV version of the Blade universe. But not quite the real Blade universe.

And then you notice the villains. Parker Posey is real cool as a bitchy vampire ex-girlfriend of a young wisecracking white dude who saves Blade from the FBI (long story). But her crew are just not up to BLADE standards. In the first one the vampires were all exotic and interesting looking, plus Donal Logue. The second one raised the bar, making the villains weirder, scarier and more sympathetic. Here you just got a couple cheeseballs, one of them a big wrestler guy with bad hair. Like Tyler Mane in X-MAN but not as appealing. They work out of some fancy hipster office building, like they are the well paid staff of some smarmy vampire magazine. I don’t really understand what they are doing there, but there are lots of good catwalks to tumble from and windows to break through. (more…)

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Unstoppable

Saturday, January 1st, 2005

First, a haiku:

Enormous talent
Piddled away on this shit
Why, Wesley Snipes, why?

Wesley Snipes IS Unstoppable. And by that I don’t mean that he stars in some crappy straight to video action movie called UNSTOPPABLE, although that is also true. What I mean is, no amount of cinematic crappiness can completely extinguish Wesley Snipes’s fire. The guy is great in everything he does, from Spike Lee dramas to vampire movies. He’s great in all 3 BLADE movies, even though the third one isn’t as good. He’s great in that movie where he played a drag queen named Noxzema Jackson. He’s great in his cameo as a crackhead in ZIG ZAG. He’s great in the bad Walter Hill prison boxing movie UNDISPUTED (see above). And he’s great in this terrible straight to video action movie where he’s a traumatized veteran who gets injected with a drug that makes him think he’s back in the shit during the Bosnia conflict.

Well, maybe saying he’s GREAT is pushing it, but he definitely rises above the material. The movie itself is unimaginative and light on thrills, directed sort of like the recent gloomier Seagal pictures, sort of a Shannon Tweed noir atmosphere with occasional way too short action scenes. And right in the middle of this gloop is Wesley Snipes giving an actual acting performance, something I don’t think I’ve ever seen in a bad straight to the garbage pile action movie like this. But I expect no less from Wesley Snipes, because Wesley Snipes is unstoppable.

The character Wesley Snipes plays in UNSTOPPABLE is another case though. It is not clear whether he is unstoppable, or in fact stoppable. Because really nobody is trying to stop him from doing anything, and he’s not trying to do anything that anybody would try to stop him from doing. There is no stopping or attempted stopping, the movie just isn’t about that.

Wesley plays a traumatized soldier who used to go on special ops type missions for the CIA. And unless I misunderstood something, these rogue CIA guys (or somebody) are trying to make sure that Wesley did not find out anything about their drug deal the time they executed his best friend in Bosnia. So for some reason they inject him with the drug they are selling, then he gets loose and comes back after them to try to get the antidote before his brain fries. Maybe they can’t stop him from doing that. But if their goal was to stop him from getting the antidote, they shouldn’t have injected him in the first place. Then he wouldn’t even be thinking the word antidote let alone trying to get one.

There are many interesting directions you could go with this premise, so what they do is, they don’t go in any of those directions. What happens, he’s waiting for his gal in a coffee shop and the CIA guys are tracking him. They immediately notice that he notices them, and we the audience believe in our hearts that there is about to be a serious one man vs. an army ass whupping scene. Unfortunately, this never really materializes. Wesley gets shot up with the drug and becomes disoriented. Still, he manages to escape and fight a couple guys. Good but too quick. He starts to flash back to when his friend (also his girlfriend’s brother) was executed by these guys in Bosnia. And he doesn’t know the difference between the past and the present. So we start to think, okay, it’s gonna be kind of a psychedelic spin on FIRST BLOOD. He’s got the post-traumatic stress disorder but also he literally thinks he is still in the war, because of this drug.

But he doesn’t really go on too much of a rampage and too easily figures out what’s real. And the movie is too much outside of his point of view. We know exactly what is reality and what he thinks is reality, and we spend too much time with the people who are following him and not enough with him being followed. So for the third time in a row you got a Wesley Snipes movie without enough Wesley Snipes in it (I’m not counting ZIG ZAG because it’s not his fault they put him on the cover of a movie where he only has a cameo.)

This movie is not nearly as good as BLADE III or even UNDISPUTED, but once again, Wesley Snipes is great. In the opening scenes he is both charming and troubled. When he’s drugged out, he seems genuinely tormented and deluded. When he fights with his fancy Capoeira moves he seems like a real badass. As far as being an entertaining action movie, this is worse than the worst Seagal picture. But Mr. Snipes’s talent as an actor makes it seem almost legitimate.

(A side note. While checking the spelling of Capoeira on IMDB I learned two Wesley facts: 1. He was mad at John Singleton for not casting him as Shaft. Come on Wesley, you woulda done great, but Sam Jackson did too. 2. His apartment was destroyed when the world trade center collapsed, and he would’ve been there but he was “delayed” at the gym. This is not a direct quote from the IMDB but I think we can all read between the lines and realize what this means: that the good Lord was as pumped as we were for BLADE II.)

Let me tell you the point when I had to give up on UNSTOPPABLE. Wesley gets captured, and exactly like in BLADE III, he is strapped to a chair with his hands shackled behind him, drugged up, being interogated by his enemies. When this happened in BLADE III, it was a little bit frustrating because the Nightstalkers rescued him. I mean I know that’s a pretty tough corner to be painted into but if James Bond can get out of that type of shit, then so can Blade, in my opinion.

Well here we got Wesley Snipes in the same situation again, so I’m thinking okay, now we’re talking. Now we’ve got a second chance, we’re going to find out how Blade would’ve gotten out of this if they had just treated him like an adult and given him a couple more minutes.

Then his girlfriend came in and saved him.

Let me say this. Only Wesley Snipes can save Wesley Snipes. Nobody is gonna come crashing through the window and rescue him from a career making movies like this. He’s just gonna have to swallow his wallet and start picking his roles better. He’s gotta find more Blades and he’s gotta stay away from the others. I mean if you want to send me the script and have me look it over for you Wesley, I’d be happy to do it. But I think you know how to turn down something like this. It is not only your right but your solemn duty to your fans, to your art, to your country, and to orphans, etc. And I’ll tell you why.

Every couple years the entertainment magazines are writing about who’s gonna be the next big action star. Are Arnold and Sylvester gone forever, is Vin Diesel gonna take over, is The Rock gonna take over, does America want less muscular acting talents like Matt Damon? If Wesley would get his shit together nobody would have to ask this question. Here is a legitimate actor who is also a bad blackbelt motherfucker. Some of these guys are okay actors but laughable as badass action stars. And the guys who are only known as action stars, you laugh at the idea of them trying to do a serious role. Schwarzenegger, Stallone, Seagal, anybody like that, it’s funny as hell when they play a scientist or a doctor or something, because you don’t believe they are smart.

But Wesley Snipes can play smart, he can play professional, he can play half vampire. He can jump out of a plane or crash through a wall, he can also bring his daughter to school or have to admit to his wife that he cheated on her. He is exactly what we need, he just needs to find the movies that take advantage of his natural Wesley Snipeness. In 1998, he went out there and made it happen. And I could watch Blade sequels for as long as I live. But there is a whole world out there Wesley Snipes. Crying out for you to conquer it.

I believe in you, Wesley Snipes. Let’s get it together bud.

[ratings]

Undisputed

Saturday, January 1st, 2005

I decided a long time ago to stop reviewing prison movies. People always ask me what I thought of this prison movie or that. They recommended ANIMAL FACTORY and that was a real good one, but I don’t want people to take me more seriously about prison than they would other film writers like the guy from Entertainment Weekly or the guy from People Magazine and etc. Plus, why would I want to sit around and watch movies about a place like that anyway.

I made an exception for UNDISPUTED though because I been looking forward to this ever since I saw the trailer before BLADE II. The BLADE pictures made me love Wesley Snipes and I try to see any movie he does now, even if it looks like some asinine remake of ROCKY, but in prison.

Turns out it’s not a ROCKY ripoff, but it is asinine. The premise is that Wesley’s character Munro Hutchence is the undefeated champion boxer in a high security prison called Sweetwater. Then the real heavyweight champion of the world, George “Iceman” Chambers (played by Ving Rhames) ends up at Sweetwater because he either did or didn’t do exactly what Mike Tyson either did or didn’t do. Like Forrest Gump, it’s left blank, you get to decide for yourself whether he did it or not, based on your own prejudices. Anyway Peter Falk, as an old time mafioso who apparently is some kind of boxing purist, sets up a match between the two, Wesley wins because he’s the good guy, the end. Not to give anything away.

The director is Walter Hill, who used to be pretty good. Even some of his bad movies like Bruce’s LAST MAN STANDING (a remake of either YOJIMBO or FIST FULL OF DOLLARS, I’m not sure) are good looking and semi-interesting. But this one is real uncinematic, it has a made for TV feel. It has lots of tired stylistic devices, like those annoying white flashes accompanied by whooshing sound effects, or those “computerized” titles that tell the names of the characters and what they’re in for as they appear. Like you care what the guy’s name is. Or lots of cutting to phoney TV interviews and news reports about Iceman. Look! Video! In the middle of a movie! How interesting and unique. Is it a commentary on the media and shit? Yeah, that must be what it is. And there are flashbacks of boxing matches that are in black and white even though they’re supposed to be from 5 or 10 years ago. (more…)

Only 1 person likes this post. Kinda sad.

Blade II

Monday, March 25th, 2002

Earlier this week I saw a highly anticipated sequel, based on an old comic book character, a half man/half vampire who has become the best vampire killer there is. He travels the world, even during sunlight, cloaked in black, wielding a sword, slaying vampires. This time around he is after the same prey as a macho team of fighters who are both his rivals and reluctant allies. Their quest takes them to the seat of vampire royalty, and along the way – against his nature – he forms a tender friendship with a female on the rival team of fighters, and stays with her until the end.

That wasn’t Blade II though, it was some cartoon called Vampire Hunter D: Bloodlust. Actually that’s what it says on the box, but the title screen just calls it Vampire Hunter D. (Just like the ticket stub for Blade II called it Blade II: Bloodhunt, but the title screen just called it Blade II.) This movie has rightfully been praised for its cartoon drawing, which is very detailed and elegant. Much more interesting than that blue hair, big eye japanese stuff certain musty smelling individuals can’t get enough of. But what surprised me though, I thought the story was real good.

It’s got kind of a Hong Kong feel because none of the characters are really the good guys or the bad guys. At first you have to side with D, because he’s hired to save this girl who’s been kidnapped by a vampire. But later you learn that she’s actually in love with the vampire, and went willingly. D’s quest starts to become morally questionable, especially since he’s doing it for the money. At first he convinces himself that the girl doesn’t know what she’s doing, she’s been seduced, whatever. But the vampire really seems to like her – I mean, he walks into sunlight, his skin boiling, screaming in pain, just to embrace her. How many cartoons have art this good, characters this ambiguous, full of this much violence and monsters AND emotion? Definitely one of the best cartoons of last year, it pees all over those movies that were nominated for the cartoon oscar. Even the monsters one. (more…)

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