“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘terrorism’

American Assassin

Thursday, December 7th, 2017

The trailers for AMERICAN ASSASSIN had me confused. Here is this mainstream, slick and expensive looking movie, Michael Keaton is in it, they’re advertising it before respectable movies. And then the plot is that a guy’s fiancee is killed in a terrorist attack, so he trains himself into a super-duper-badass warrior and master of covert ops and goes on a personal mission undercover into the terrorist cell to get revenge on the motherfuckers. That sounds exactly like a movie I would watch if it starred Scott Adkins or Jason Statham or The Rock or somebody. But this just stars some guy. Some actor.

Well it’s on video now so I had to find out the deal. Turns out the actor is Dylan O’Brien and additionally it turns out that Dylan O’Brien is the guy that starred in those movies THE MAZE RUNNER that somebody has probly watched at some point. Also it turns out that there is still a serious TV show based on TEEN WOLF and the show has Teen Wolf’s wacky buddy Stiles in it and Dylan O’Brien plays this Stiles. We are learning alot here today in my opinion. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Dying of the Light

Wednesday, February 18th, 2015

tn_dyingofthelightDYING OF THE LIGHT is yet another troubled Paul Schrader production. The story is: it was a Schrader script that Nicolas Winding Refn almost directed with Harrison Ford and Channing Tatum as the leads, but Ford and Refn disagreed on the ending (guess who wanted a happy one?) so I guess Ford went and did COWBOYS & ALIENS and Refn did DRIVE. Then Refn became executive producer for Schrader directing it himself with the, uh, less-assured-of-a-theatrical-release team of Nicolas Cage and Anton Yelchin. Then after it was filmed the other producers shut out Schrader and did their own edit and scoring, so Schrader, Refn, Cage and Yelchin effectively disowned it by wearing t-shirts with the “non-disparagement” clause of their contracts that prevents them from complaining about the movie. Also cinematographer Gabriel Kosuth (2nd Unit DP of SHADOW MAN, ATTACK FORCE, FLIGHT OF FURY, AGAINST THE DARK and A GOOD MAN) wrote a righteous guest column in Variety about the producers recoloring the whole thing against his will and ruining what he and Schrader were trying to do.

We’ll get into that stuff later, but first let’s consider the Damaged Goods Cut on its own merits. It’s a flawed movie but more watchable and original than other recent basically-DTV Cage vehicles. Cage plays Evan Lake, a decorated CIA field operative who 22 years ago was tortured and had his ear mutilated by a young track-suit-wearing terrorist named Muhammad Banir (Alexander Karim from the Johan Falk series). Lake refused to give up any information and was about to be executed when commandos stormed in and saved him. Now he’s kind of like their mascot. They have him give the tough guy speech to the fresh-faced new recruits, but he’s a depressed desk jockey who isn’t taken very seriously by the agency or allowed in the field. A big part of his day is trying to control or hide his shaky hand. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Assault

Monday, March 4th, 2013

tn_assaultTHE ASSAULT (which is American for L’ASSAUT) is almost like a French remake of DELTA FORCE. It’s based on the true story of a hijacking of a French airliner in Algeria. Four Muslim extremists posing as passport inspectors take control of the plane on the runway. They demand the release of two captured mujahadeen, and they try to fly the plane to Paris. But it takes them half the movie just to get the stairs detached from the plane, and then they find out they only have enough fuel to get to Marseille. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.