Posts Tagged ‘Stallone’

Tango & Cash

Sunday, June 21st, 2009

tn_tangoandcashI don’t know if you can sense it in the air or anything. It doesn’t really come until the end of the year, but this is the 20th anniversary of TANGO & CASH. To be honest I don’t think I ever saw this one before, but I wanted to see it and review it a little ahead of all the hoopla. As much as people like you and I are will to talk about TANGO & CASH all the time I’m sure eventually we’re gonna get a little worn out by all the retrospectives and parades and everything that I’m sure they’ve been planning.

So now I’ve seen it and I know TANGO & CASH is a fun but not all that great 1989 action movie that personifies (moviefies?) the excess of the ’80s, and not just because it has a monster truck in it. (more…)

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Assassins

Wednesday, June 3rd, 2009

tn_assassinsASSASSINS: the word with two asses

Stallone, Banderas, Julianne Moore, Richard Donner. Not a bad roster, but I never heard anything good about this 1995 studio action picture. I’ve had it on my list for a while anyway because the script is credited to Andy & Larry Wachowski and Brian Helgeland. How do you go too wrong with that? Whoever’s script got ditched they were rewritten by somebody good. Either the MATRIX guys or the PAYBACK guy.

Well, overall the movie’s only okay, decent, watchable. Some nice touches, but fairly forgettable. But I gotta say, the first half hour or so approaches greatness. My favorite scene is actually right at the beginning. Stallone is leading another guy out into the woods at gunpoint, obviously to put him down like Old Yeller. Their faces are glum, like this is an inevitable conclusion they’ve dreaded for a long time. Both are wearing nice suits and ties, Stallone is wearing knee-high rubber boots.

Suddenly they get to a marsh. The guy’s shoe sticks in the mud. He laughs. “You know, when I saw you I wasn’t scared, but I did wonder why you were wearing those. Now I know.” (more…)

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Vern has read Stallone’s The Expendables

Sunday, December 28th, 2008

Usually I don’t write much about a movie before it’s made, because I prefer movies that exist. Every once in a while somebody sends me a script like LIVE FREE OR DIE HARD or RAMBO, but I usually ignore them. I would rather watch the finished movie and not know what the original plan was. And to be honest I’m not sure how qualified I am to tell you about the meal based on the recipe. But THE EXPENDABLES – a Sylvester Stallone action ensemble picture where he will write, direct and then star alongside Jet Li, Jason Statham, Dolph Lundgren, Forest Whitaker and Randy Couture – is a big fuckin deal among those of us who love the action cinema of the ’80s and ’90s. We can’t help but dream about this one like nerds once dreamed of Star Wars prequels or new outfits for their limited edition Serenity dolls so they can act out what would’ve happened in the second season. So when Stallone’s script fell into my lap this time I couldn’t resist.

By the way I would like to take a moment to welcome A.B. King to the talkback. Welcome, A.B.

The ragtag team of the title are a group of elite mercenary badasses – at one point described as “totally prepared to die in a blaze of glory” – hired to take out a dictator in the South American country of Corza. I do not have an opinion on what’s going on in Corza because I believe it is a fictional country, but if in fact they’re real I’m against them. They got all kinds of human rights violations and shit. No good.

Of course, the mission is not necessarily what it seems, there may or may not be some doublecrosses and deceits, etc. (more…)

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Rambo

Saturday, January 26th, 2008

RAMBO: JUST RAMBO, NOT RAMBO FIRST BLOOD PART 2

Poor John Rambo. Drafted into ‘Nam, transformed into a killing machine, trained to eat things that would make a billygoat puke. He came home, butted heads with an asshole sherriff, fought a bunch of cops, got a pardon so he could rescue some POWs and “win this time,” lived at a monastery I believe, real good stickfighter, made some allegiances in Afghanistan that in retrospect were not so hot but you know what they say about hindsight. Now he lives in a shack in Thailand where he catches deadly snakes for a living. His first line in the movie is telling a guy to go fuck himself. He’s real cynical about the state of the world and the inevitability of bloodshed, but some Christian missionaries convince him against his better judgment to take them in his boat and drop them off in a war zone in Burma. You guys run along now, don’t get raped or blown up. Then when they don’t come back on time he has to go back and drop off the team of mercenaries the church hires to rescue them. I wish the team had a cool name like The Holy Rollers and had pictures of Jesus, Joseph and Mary airbrushed on their weapons, but no, they’re just regular guns for hire, they don’t give a shit about that stuff. They don’t even care about the money that much, so they’re gonna turn around when things look bad. But Rambo (to them “the boatman”) changes their minds. Using a bow and arrow.

Rambo’s changed over the years, at least physically. He no longer looks like he’s chiseled out of stone. Now he’s chopped out of wood. He’s a fuckin tree trunk wearing a headband. Wide and thick and definitely not pretty anymore.

I like the character of Rambo, and I always like seeing him, but the mentally ill can make some bad choices. In his case that includes going on a rampage as well as making three ridiculous sequels to his classic original. Don’t get me wrong, I enjoy that crap too, to a certain point, but FIRST BLOOD is a legitimately great movie that towers above them and tries to be polite about it but most likely would not want to hang out with the other ones if at all possible. The idea of the original book and movie was to “bring the Vietnam War home,” but the idea of the sequels is just to send Rambo off to different wars. (more…)

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Cobra

Wednesday, July 11th, 2007

COBRA is not a great Stallone movie, but Stallone does play a cop named Marion “THE COBRA” Cobretti, and in this crazy world that’s gotta count for something. In the opening scene a ranting maniac goes into a super market, kills a bunch of people and takes the rest hostage. The police are helpless so they “call in the Cobra.”

Cobretti struts in wearing sunglasses and chewing on a matchstick. You’d think he’d want to have the full power of vision at his disposal in a situation like this, but he chooses fashion instead – not a great character trait for a human being, but acceptable for an action movie hero. If you want to get picky Dirty Harry probaly should’ve put down his hot dog to foil that bank robbery, but he didn’t, and we admire him for that.

Speaking of Dirty Harry, Cobretti wishes he was Dirty Harry. This movie is a total ripoff of that one. But visually Cobretti reminds me of another action movie icon: HARD BOILED’s Tequila, with his sunglasses and toothpick. That must be why when I first heard of Chow Yun Fat they said he was “the Stallone of Hong Kong.” People still remembered COBRA back then, I guess. They look kind of the same, but Cobretti has a picture of a cobra on the pearl handle of his gun, while Tequila doesn’t have a picture of tequila. Tequila is still a better character in a way better movie, but Cobretti’s cobra insignia just edges him into the realm of acceptability. Congratulations, Cobretti.

The movie is stylishly directed by George Pan Cosmatos, same guy who did RAMBO a year earlier. He uses what was probaly called “MTV style” back then, lots of quick flashes edited to the rhythm of music (hey, what’s that robot? Hey, there’s that robot again. Why is there a robot?) but unlike modern asshole editors he respects the audience enough to build to a shot that explains what the quick flashes were all about (oh, I see, there is a fashion shoot in front of a robot). The opening is completely badass, with the Cobra firing an animated bullet into the camera, which explodes into the title of the movie. Meanwhile a psychopath rides a motorcycle silhouetted on a bright red sky, and this is intercut with shots of a bunch of crazy musclemen in a sewer doing some sort of workout or ritual involving axes. This was in those days of ‘85-’87 when movies like POLICE ACADEMY 2 and DRAGNET worried that some weird gang of punk rocker cultists would terrorize urban areas (at least those movies are comedies, though, this is a serious movie). (more…)

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Cliffhanger

Monday, January 22nd, 2007

Long ago, before the rogue Finn Renny Harlin’s Samson locks were shorn, he was not the director of DEEP BLUE SEA. He was the director of DIE HARD 2. Or DIE HARDER as everybody thought it was called then. (This was before the internet, so I couldn’t explain to them that it was called DIE HARD 2.) Well, CLIFFHANGER is another movie from that o.g. Renny Harlin, or Renny Harlin Classic. And from where I stand this may be his finest McClane-free picture.

Of course, I’m coming late to the party. I missed this one when it came out in 1993 but I was planning on seeing it, so I saw it this week in 2007. So the rest of the world has had 14 years to know what I’m about to tell you: some guys robbing money from a treasury plane drop the money in the mountains, call a rescue team to try to steal their helicopter, and wind up having to deal with ace mountain climber Sylvester Stallone.

I wasn’t convinced during the opening. I know it’s a pretty famous action scene as far as ’90s action movies go, and the fact that it’s mostly real mountain climbing done by the real actors is undeniably impressive. But I couldn’t take all the casual weizenheimer talk as Stallone comes to rescue Michael Rooker and his date from a mountain peak. Even though the girl is supposed to be a novice she’s joking and flirting with Stallone and not showing any fear, which makes it hard to take the whole thing seriously. Especially since they’re up on a mountain where you’d figure it would be hard to talk to each other at such low volumes. Then the big scene with Stallone trying to grab the girl’s hand when she’s falling doesn’t look like it’s in those same real mountains so it kind of took me out of it.

But the movie gets better, this is a decent take on DIE HARD ON A MOUNTAIN. Stallone’s hero role makes sense: the bad guys have his friend Michael Rooker hostage to use as a guide. If they find the money they will kill Michael Rooker, so Stallone has to keep them from finding the money. It’s great to see Rooker (HENRY: PORTRAIT OF A SERIAL KILLER himself) playing a straight ahead good guy. He blames Stallone for the death of his girlfriend, but he is completely loyal to him and risks himself to save his former friend. DIE HARD is a more cynical movie where certain characters will betray anybody to save their own ass. So it had me expecting that Rooker would be the bad guy, or would help them because of his anger at Stallone, or would be tempted to. But no, you got heroism all over the place. I liked it. (more…)

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Rocky Balboa

Monday, January 22nd, 2007

A couple weeks ago I saw a theater marquee that said APOCALYPTO and ROCKY BALBOA on it. And I thought damn, Mad Max and Rambo are both directing movies now. Tryin to join the ranks of the Badass Laureates like Clint and Takeshi. While my man Seagal is busy revolutionizing the world of DTV self expression, these guys are going in a more societally accepted direction. Of these two action hero directors, Crazy Fuckin’ Mel obviously gets the medal for ambition because he made an epic about a culture rarely portrayed on film, in a language never spoken on film. He’s moving forward. Stallone is moving backwards but that’s okay, he’s taking care of some personal business. He’s putting a cap on the ROCKY series. And doing a fine job of it in my opinion.

It turns out I did the right thing preparing for this movie. I watched the original ROCKY for the first time in more than a decade. I meant to watch the sequels again too but didn’t get around to it. Well it turns out ROCKY BALBOA is a direct sequel to ROCKY. Forget about what happens in the middle, that still happened but this is all about revisiting what happened in part 1. This is what becomes of that young guy we saw 30 years ago, with the mumbling and the bad jokes, the deep hunger for achievement and the funny hat. It’s almost like those 7 UP documentaries, or BEFORE SUNRISE/BEFORE SUNSET, or maybe HALLOWEEN H20. With punching.

I know Harry down in Texas and his Buttnumberthon team went crazy over this movie, but the few people I knew that saw it were lukewarm on it at best. I heard it described as a long boring “why is Adrian dead?” drama followed by an awesome training montage and fight. That is partly accurate but personally I really liked the drama part. It’s not really about boxing, it’s just about this particular character who happens to be an ex-boxer. I think what made the movie enjoyable to me is that I completely believe this is what Rocky would turn into. I was worried that Sly had plastic surgeried himself in the convening years, that he’s too pretty now to play Rocky. But no, he’s looking older and wider and gruffer, still wearing that hat but now it looks like an old man hat. As a director he makes the wise decision of showing himself in alot of unflattering closeups that show he’s an old fighter. Now he walks around Philadelphia and he’s a beloved celebrity, everybody calls him by his first name and he’s happy to take photos with random people who come up to him. He runs a small, homey restaraunt (called Adrian’s, of course) where he hangs around and tells fight stories to the customers. The thing that’s really missing in his life though is what the original ROCKY ended on: Adrian. (more…)

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