Posts Tagged ‘Richard Pryor’

Hit!

Monday, June 8th, 2009

tn_hitSee, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.

But HIT! is not only a serious movie, it’s revenge-meets-arthouse, almost like POINT BLANK. It’s an ambiguous, slow-burn revenge movie with great performances and character moments and a creepy Lalo Schifrin score. There’s more care put into the buildup and the little moments than into the action movie parts, but they’re good enough for that to be a fair trade.

In the beginning a teenage girl dies from a heroin overdose. Billy Dee plays her father, some kind of CIA agent. He doesn’t talk until 15 minutes into the movie. Before that he just smolders. His boss tries to help him out, tries to send him on a vacation. But he wants to go after the source – not the street pushers, but the top of the pyramid, some guys in Marseille who run a heroin cartel. Of course the agency tells him not to, and of course he does it anyway. (more…)

Richard Pryor, Rest in Peace

Saturday, December 10th, 2005

Richard Pryor. God damn. I don’t know why a guy like me always has to eulogize somebody I never met, but it always bums me out when the world loses a genius like Richard Pryor. So I gotta write something about my favorite Richard Pryor works and it helps me to cope and I apologize if you end up suckered into reading the damn thing. (more…)

Blue Collar

Saturday, January 1st, 2005

I don’t know how many of you are familiar with Paul Schrader. He is sort of a lesser known legend of independent film. Legendary because of the many screenplays he wrote for Martin Scorsese, including Taxi Driver, lesser because he went on to direct crap like the rock band movie Light of Day with Michael J. whatsisdick. And that sort of thing tends to lower people’s opinion of you. I mean, you don’t see the dude who did Satisfaction with Justine Bateman going on to inspire a new generation of filmmakers. That’s just the way it works.

But Paul Schrader did make sort of a comeback. After a really terrible Elmore Leonard/Tom Arnold picture called Touch he did Affliction with James Coburn and got some Oscars and what not. Now I am in favor of any picture that gets an Oscar for James Coburn just on basic principle, but I haven’t seen it yet so instead I will review Mr. Schrader’s first work as a director, and still maybe his best, Blue Collar.

You see this picture is important to me because it is one of Richard Pryor’s few great film roles outside of his stand up films. Richard was in many shoddy films made by people with no understanding of his talents or desire to display them properly. So you get the man dressed up as a chicken or running around getting his ass bit by piranhas or what not. The kind of garbage that Robin Williams could even do. And as Richard once confessed to me, by writing his autobiography, he was too far gone in his addiction to really care any more. He just wanted “the moneys” and so would sign on to pictures like Super Man Part 3 that he thought were crap.

So Blue Collar is one of the few pictures where he actually got to play a multi-faceted, dramatic type role where he gets to be funny but also gets to display other emotions convincingly and organically within the story. He gets to change throughout the movie, but not in the, “It turns out I have a big heart after all and love kids” type of way. I mean it’s the other way around, he turns into kind of a villain, he sells the fuck out. (more…)

Richard Pryor Live on the Sunset Strip

Saturday, January 1st, 2005

This is Richard’s standup film from 1985 and like you damn well oughta expect from Richard, it’s some funny shit. It is interesting to contrast this one with his 1979 Live in Concert because Richard has gone from being a genius to being a superstar. The opening credits play this ’80s style funk and show giant billboards advertising the show. Then a spotlight comes on in the back of the theater and Richard struts his way through the audience, and you see this cockiness on his face that is almost like a different person. Everybody loves Richard when he’s on stage being funny but this is something else altogether as you feel the outpouring of love from the audience and you see how it gives him strength.

Alot of the shit Richard talks about he wouldn’t have known before he was a superstar. He mentions groupies, a trip to Africa (and how’s he gonna do that before he was rich?), filming a movie. But he doesn’t ever come off as a sellout, he’s letting you in on his life, exposing his flaws, making it all something you can relate to. He also talks about some of his early days, like when he was 19 working at a club run by the mafia. There is a story he tells about trying to get money from the mafia that is a scene in his autobiographical movie he directed Jojo Dancer Your Life is Calling, and I had no idea it was something that really happened to him but I guess it must be. (more…)

Richard Pryor: Live and Smokin’

Saturday, January 1st, 2005

This is a video I have seen on the shelfs alot but I never got around to renting it on account of it is only 45 minutes. And who the fuck wants to pay 3.50 or what not for 45 minutes of standup when you could just watch scrambled Def Jam Comedy Jam for free.

But now I finally saw it and it was interesting but hell boys I gotta warn you, this is for Richard Pryor experts only. It is not a good introduction to his works, in my opinion. I don’t want you to watch this one first unless you promise me right here and now that you will watch Richard Pryor Live in Concert and Live On Sunset Strip even if you don’t like this one too much.

According to his autobiography this was his first concert film, originally titled just Smokin’ and filmed at the Improv in New York in April 1971. It was at a time when he was really considered to be breaking new ground. For a long time in his career he was just imitating Bill Cosby but then he decided to start talking about the type of shit he really thought about after growing up in a whorehouse in Peoria, Illinois. (more…)