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Posts Tagged ‘Richard Norton’

Rage and Honor II: Hostile Takeover

Friday, May 6th, 2022

RAGE AND HONOR II: HOSTILE TAKEOVER was released only a year later (1993), but it’s made by a whole new team. It’s the only narrative feature directed by Guy Norris, an Australian stunt legend who had been on the team for THE ROAD WARRIOR, stunt coordinator for DEAD END DRIVE-IN and BLOOD OF HEROES, etc.

This sequel also has a new set of writers: Louis Sun & Steven Reich. Sun has no other credits, but Reich was producer of CIRCUITRY MAN and SHAKES THE CLOWN, both also released by record-label-turned-film-distributor I.R.S. Media.

Rothrock is playing Kris Fairchild again, but she might as well be a different character. We first see her sneaking around in all black with gun holsters, wearing a headset and saying “Alpha 1 in position” before battling a bunch of terrorists in creepy Halloween masks. It will turn out to be a training exercise, meaning she has moved on from both of her jobs in part I – high school history teacher and martial arts instructor. Now suddenly she’s some kind of agent and she’s sent to work for a bank in Thailand as part of an investigation. (read the rest of this shit…)

Rage and Honor

Thursday, May 5th, 2022

RAGE AND HONOR (1992) opens in black and white – first, grainy high contrast footage of the city, maybe 16mm, then camcorder footage with scanlines – following leather-jacketed Kris Fairfield (Cynthia Rothrock) in an empty high school class room, finishing up her day of work and heading home. I assumed this was a reference to the Michelle Pfeiffer tough-and-inspirational-inner-city-teacher movie DANGEROUS MINDS, which also opened in black and white, until I realized that this came out three years earlier. This is another TOP-GUN-coming-out-after-IRON-EAGLE situation. I got one very suspicious and insinuating eye on you, Mr. Bruckheimer. You’re on notice.

The biggest surprise about this movie is that after the opening it’s never relevant or mentioned that she’s a high school teacher. I was so confused by it that I reloaded the DVD two different times thinking I must’ve misinterpreted something. But it’s true – she has a classroom, a chalkboard, she leaves with papers to grade, she runs into a student named Paris (Patrick Malone, THE BONFIRE OF THE VANITIES) and gives him his paper, she seems to be his history teacher. It’s too bad they didn’t stick with the idea, because a Rothrock version of THE SUBSTITUTE or ONLY THE STRONG would be right up my alley. She really does seem like a cool teacher. (read the rest of this shit…)

Guardian Angel

Wednesday, December 1st, 2021

GUARDIAN ANGEL is a 1994 Cynthia Rothrock joint from PM Entertainment, directed by Richard W. Munchkin (RING OF FIRE) and written by Joe Hart (REPO JAKE, STEEL FRONTIER). It’s not one of the better crafted Rothrock pictures, but it’s a worthwhile grade of ridiculousness.

Rothrock stars as Christine McKay, who’s working as a cop when we first meet her. And she’s at a great place in her life. Staking out a public park undercover as “lady standing next to ice cream truck,” she shows off her engagement ring to her partner and confesses that she never thought she’d marry a cop. Then the shit goes down: two groups totaling around 25 people show up at the park to discuss a counterfeiting transaction.

McKay makes the very questionable choice to run by herself toward these gangs firing her gun in the air. The sound causes them to start fighting and shooting at each other. She personally beats the shit out of several of them before backup arrives. (read the rest of this shit…)

The Suicide Squad

Wednesday, August 11th, 2021

THE SUICIDE SQUAD, from writer/director James Gunn (SLITHER, SUPER, writer of TROMEO & JULIET and DAWN OF THE DEAD) is kind of miraculous as far as these big ol’ corporate franchise movies go. Imagine the odds against a director starting out as a writer at Troma, making some well-liked-but-not-super-successful hard-R comedies, then going mainstream with two beloved Marvel hits, then being temporarily fired by Disney due to right wing trolls feigning offense at his old tweets, and spending his time off going over to a different comic book universe to make a super gory and death-filled but heartfelt sequel to someone else’s widely-hated part 1, building off of his horror comedy past, the skills he built on his GUARDIANS OF THE GALAXY movies, and what was fun about that first SUICIDE SQUAD movie, to make something really special?

Though I didn’t hate David Ayer’s 2016 SUICIDE SQUAD the way most seem to have, I had many complaints. I suspect he had a more sensible version before the studio literally hired the trailer company to re-edit it, but even in its present form I think the movie deserves praise for establishing a rowdy, cartoony take on the DC Universe that BIRDS OF PREY and now this were able to riff on and use as a jumping off point. And of course even bigger than that is its casting of Margot Robbie (THE LEGEND OF TARZAN) as Harley Quinn, as close to a universally beloved character and portrayal as has ever come out of such a widely hated movie. (read the rest of this shit…)

Millionaires’ Express

Tuesday, December 8th, 2020

THE MILLIONAIRES’ EXPRESS (also called SHANGHAI EXPRESS, originally 富貴列車, or FORTUNE TRAIN according to Google Translate) is a 1986 Sammo Hung directing and starring joint all-star period comedy.

In the tradition of LICENCE TO KILL it opens with a fight in snowy Russia, as Sammo’s character Ching Fong-Tin is caught trying to steal from Russian soldiers and they force him to wear women’s underwear and do a sexy dance for them. He kind of pulls a Bugs Bunny, leaning into it, and manages to escape with an impressive window leap while the cabin explodes, but is then captured by a mountain-trapper-looking CIA agent called Fook Loi (Kenny Bee, THE SPOOKY BUNCH), so there’s more fighting. They end up rolling down the hill and making giant snowballs. (read the rest of this shit…)

Gymkata

Tuesday, May 19th, 2020

MAY 3, 1985

GYMKATA is another Summer of 1985 release with a Cold War context. On screen, it involves a mission with the ultimate goal of installing an American satellite monitoring station. Behind the scenes, it stars a gymnast who was favored to win gold at the Olympics in Moscow until the U.S. team boycotted.

I reviewed GYMKATA for The Ain’t It Cool News in 2007 when it first came out on DVD, so you can read that for more details. I have some pretty good lines in there, for example

“this movie and Osama bin Laden are both unintended consequences of [the Soviet invasion of Afghanistan]. And I can say objectively that the better of the two is GYMKATA. GYMKATA is better than Osama bin Laden.”

But it’s a pretty damn 1985 movie so I decided to revisit it for this series. It stars Kurt Thomas, five-time NCAA champion and International Gymnastics Hall of Famer who won six medals at the 1979 World Championship before the aforementioned protest of the 1980 Summer Games. He plays Jonathan Cabot, also a gymnast of some kind. We see him on the parallel bars, and then all the sudden some suit from the Special Intelligence Agency is briefing him for a top secret mission to the secluded country of Parmistan. His dad (Eric Lawson, who played a sheriff in TALL TALE, RUMPELSTILTSKIN, WHEN TIME EXPIRES and KING COBRA) was an agent who disappeared there competing in “The Game,” a thing they apparently do frequently where foreigners try to run an obstacle course while locals on horses with helmets over ninja masks shoot arrows at them. If somebody actually survived the country would offer them any favor they want. Help you move, give you notes on your screenplay, anything. (read the rest of this shit…)

Mad Max: Fury Road

Saturday, May 16th, 2015

tn_furyroadSPOILER WARNING. I mean, I can’t stop you from reading this, but I’m not being careful about spoilers because for crying out loud see this movie IMMEDIATELY. Quit your job if necessary.

Usually if you’re still watching a movie for the first time, it’s kinda premature to start thinking “this is a masterpiece.” Not so with MAD MAX: FURY ROAD. It’s part 4 in an old series, but it truly feels like an entirely new type of movie. It is thrilling, explosive, inventive action at its most pure and relentless, yet it manages to weave a moving and powerful story around and within and through the hundreds of spectacular stunts. As he has in each successive MAD MAX movie, director George Miller re-invents his post-poxyclipstic world with even more ornate detail and flair than before, unfolding a fantasy world as teeming with weird characters and happenings as the whole HOBBIT trilogy without ever dumping a bunch of exposition on us. He explains what we need to know economically, mostly visually, and leaves the rest for us to daydream about.

This is a movie that will transform people’s brains. It just might be the most elaborate action movie ever made, both in the complexity of the stunt sequences and in the meticulous design of the people and things in it. Now the cars aren’t just cool and beat up, they’re built from unlikely combinations of multiple vehicles piled on top of each other, covered in spikes, flame throwers, animal skulls and creepy doll heads, with weapons hidden inside and out and half naked goons climbing all over them firing guns and throwing spears and bombs. Steering wheels are removable, heavily decorated and carry some sort of religious significance. One character pulls his off and holds it aloft during a chase to show that he’s ready to die. (read the rest of this shit…)

Lady Dragon

Tuesday, March 3rd, 2015

tn_ladydragonIn the opening of LADY DRAGON, Kathy Galagher (Cynthia Rothrock) arrives late to her underground fight. The crowd goes silent from cheering on her opponent when she enters in silhouette, a mysterious figure of intimidation in a pointy druid hood, carrying a gym bag, her footsteps echoing like Walker in POINT BLANK. She stands with her back to the camera as she pulls off the hood, then spins around to reveal her face.

It seems like we’re supposed to spit out our Pepsi when we see that it’s a girl. What, did they not know we knew we were renting a Cynthia Rothrock vehicle?

Director/story-provider David Worth (this was his followup to KICKBOXER) gives her lots of cool entrances like that and different outfits, sometimes masculine (a black leisure suit), sometimes the opposite (lots of glittery dresses). She’s trying to track the white arms dealer in Indonesia who killed her CIA agent husband. We learn all this only after special guest star Robert Ginty (THE EXTERMINATOR), who was watching her fight from behind shades and a cigarette, finds her at a bar and tries to bring her back into “the Company.” She says no and tells him to “have a nice day.” He says “Yeah, you too.” (read the rest of this shit…)

China O’Brien II

Friday, May 18th, 2012

tn_chinaobrieniiIt’s the 4th of July, and Sheriff O’Brien is receiving a plaque from the mayor for lowering the crime rate in Beaver Creek to one of the lowest in the state. Well, enjoy it while it lasts, mayor, because a couple at this very picnic are about to be tracked down by a team of ex-military drug smugglers who want their suitcase full of $5 million in cash.
(read the rest of this shit…)

China O’Brien

Thursday, May 17th, 2012

tn_chinaobrienAfter directing movies to showcase the martial arts skills of Bruce Lee, Jackie Chan, Jim Kelly, and the guy from GYMKATA, director Robert Clouse figured “why not the white lady from YES MADAM?” That’s five time World Karate Champion in forms and weapons between 1981 and 1985 Cynthia Rothrock, playing the title character.
(read the rest of this shit…)