LE DERNIER COMBAT (or THE FINAL BATTLE) is Luc Besson’s first feature, and apparently he was pretty different in 1983. This is a black and white post-apocalypse movie and in contrast to all the international co-production action vehicles he’s been writing with Robert Mark Kamen for so many years it’s very much not high concept. It has no hook.
It also has no talking. I’m not sure if whatever ended civilization as we know it also removed everyone’s ability to speak, or if just nobody in this story bothers to ever do it. But this is one Besson movie where you can’t say the dialogue is bad.
It mostly follows “The Man” (Pierre Jolivet, also co-writer and producer and a prolific director in his own right), sort of a goofball taking shelter from the post-apocalypse in an office building with not too bad of a set up. He has a plant, some furniture, an oven, a cassette deck, a mattress, plenty of space if he ever wants to take up tai chi or breakdancing or anything like that. It’s pretty dusty in there, though. The movie opens panning through his living space and there’s some kind of panting you can hear and you see his naked legs and then you see that he’s humping an inflatable sex doll. Not exactly an iconic entrance like Mad Max or somebody. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.