I use hands to help my fellow man / I use hands to help with what I can / But when I face an unjust injury / Then I change my hand into FIST OF FURY

Posts Tagged ‘Nic Cage’

Season of the Witch (2011)

Monday, August 15th, 2011

tn_seasonofthewitchI can’t really think of a compelling reason why anybody should see SEASON OF THE WITCH, but it’s way more watchable than I expected. The trailers were dreary and cheap looking, it didn’t look like there was anything very original or exciting about it, it’s from the director of GONE IN 60 SECONDS (remake), and then I think it got delayed but I can’t really prove it because nobody was waiting for it to come out so who would remember?
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Next

Saturday, August 13th, 2011

tn_nextNEXT is a 2007 Nicolas Cage sci-fi vehicle from director Lee Tamahori (ONCE WERE WARRIORS, xXx: STATE OF THE UNION). I finally got to it because I saw that KILL THE IRISHMAN movie and liked it enough to want to look up what else Jonathan Hensleigh has been up to. He’s credited as a writer on this along with Gary Goldman (BIG TROUBLE IN LITTLE CHINA, TOTAL RECALL, NAVY SEALS) and Paul Bernbaum (Riptide, The A-Team, 21 Jump Street, etc.). I got a hunch which one was the primary visionary behind this, but I’m not gonna say it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Nic Cage on J.C.V.D.

Wednesday, July 20th, 2011

mega-faceoffThis guy Vlad Martinescu contacts me every once in a while to keep me up to date on Jean-Claude Van Damme happenings. He wrote to me today to tell me I should post about the upcoming super-limited theatrical release of ASSASSINATION GAMES starring Van Damme and Scott Adkins. I already did, and you can click the title there for the official websight which still has the same theater listings I posted earlier. But Vlad also mentioned a little video clip I hadn’t seen before so I thought I would share it with you guys in case you didn’t either.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Drive Angry 3D

Thursday, March 3rd, 2011

tn_driveangryDid you guys know that Tim Burton’s ALICE IN WONDERLAND is the #6 highest grossing movie of all time? It’s literally made over a billion dollars. Just seems weird to me, because I don’t know anybody that liked that movie. I thought it was pretty terrible but keep finding myself “defending” it trying to convince people that at least it was cool looking. Except for the Mad Hatter.

When I mention that somehow it made that much money everybody says “Well, because the 3D tickets cost more.” I’m sure that was part of it. But it’s not like every 3D movie makes a ton of money.

Case in point: DRIVE ANGRY 3D (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

“Life can be mega”

Wednesday, December 1st, 2010

mega-faceoff

Good ol’ Fred Topel just did an interview with Nicolas Cage for Screen Junkies, and he was cool enough to ask Cage about the concept of mega-acting:

SJ: I’ve been reading Outlawvern.com and he’s coined the phrase “mega acting” with regard to your work in films like Bad Lieutenant and Face/Off. The idea is it’s not overacting, because it’s intentionally extreme. Do you feel that’s accurate?

NC: Yeah, I think that makes sense. I often refer to it as outside the box, as opposed to over the top. The two things mean the same thing on one hand but one sort of celebrates the idea of breaking free and going into other forms of expression, whether they’re abstract or extreme or as this friend of yours calls mega acting. The other sort of implies you’re not being truthful to the part, but see, I don’t know how you measure something like that because life can be extreme and life can be mega. I wouldn’t do that to somebody in another art form. Not to compare myself to someone like Francis Bacon but just as a point of explanation, I wouldn’t say, “Hey, you can’t paint a screaming pope like that because a screaming pope doesn’t look like that naturally.”

When Cage is interviewed most of the time he’s probly sitting in front of blownup movie posters talking bullshit with local news people who still watch Entertainment Tonight every night. What’s cool about Fred’s interview is he comes from appreciating the odd sides of Cage’s work, so that’s what he asks about. Check out the whole thing for some more interesting insights.

thanks to Fred for doing the interview and Tommy S. for sending me the link

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Face/Off

Wednesday, September 1st, 2010

tn_faceoffFACE/OFF is a crazy one-time-only deal, a strange collision of people and movements that could only really exist in that specific place and time. Not before, and definitely not since. On that day the wave of late ’80s Hong Kong action cinema crashed and exploded against the rocky shores of Hollywood, spraying sideways and soaking Nic Cage and John Travolta, who happened to be standing there. It’s not the only American John Woo movie I like (we’ll always have HARD TARGET and BLACKJACK), but it’s the only one that seems like The Real John Woo. It takes that old Hong Kong John Woo we loved, with all his emotional sincerity and unhinged sense of stylized action, and combines him organically with big budget Hollywood, achieving a smooth balance where the Hollywood bullshit side doesn’t overpower the other one. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Kick-Ass

Tuesday, April 20th, 2010

tn_kick-assKICK-ASS is the new movie that for the first time since DEFENDOR, MIRAGEMAN, SPECIAL and the first part of SPIDERMAN where he wears the pajamas asks the question “What would happen if a comic book nerd dressed up as a super hero and tried to fight crime?” The answer is partly the same as DEFENDOR’s (he’ll get beat up badly, except when he has clubs) but partly different (a little girl will fly around spinning knives and doing kung fu, murdering dozens of people and give him a jetpack and [SPOILERS for KICK-ASS and DEATH WISH 3] he’ll kill a mob boss DEATH WISH 3 style).

Either the movie is confused or just I am, because I really thought this was gonna be about what would happen if people tried to be super heroes in the real world. I thought this mainly because the lead nerd (who buys a mask and scuba suit and comes up with the dumb name Kick-Ass for himself) narrates through the entire movie and explains explicitly and in detail that that is in fact exactly what the story is about. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Matchstick Men

Friday, February 19th, 2010

tn_matchstickmenI don’t know what my problem was, but I didn’t dig on GLADIATOR like everybody else did, and for some reason I was bitter about it and skipped most of the Ridley Scott movies after that. But like the typical SCARFACE-loving American male I couldn’t resist AMERICAN GANGSTER, and that’s when I realized the error of my ways. So predictably my post BAD LIEUTENANT fascination with Nic Cage sent me back to catch up on Mr. Scott’s con men movie.

Cage plays Roy and Sam Rockwell plays Frank, two grifters we first meet in the midst of scamming an old lady by calling up and telling her she won a contest. I must be getting soft in my old age because seeing it open that way made me wonder if this movie was gonna be too unpleasant to watch. We all love a good con job in a movie, but telemarketing scams on the elderly? Usually not as fun. Fortunately it gets more complicated when they show up at her house pretending to be FBI agents after the people who scammed her and take advantage of her hotheaded husband. The more complicated it gets the less moralistic we become as an audience. We would cheer on Ocean’s 11 even if they were stealing from orphans, as long as they had to use a tunnel and dress up in uniforms. Or that’s one theory, anyway. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Kiss of Death (1995)

Friday, February 5th, 2010

tn_kissofdeathThis is the kind of story that’s best to go in dark and just watch how things unfold. But I’m gonna have to describe some of it to explain the movie. At the start Jimmy (David Caruso) is on parole, he’s got a young daughter, and he and his wife (Helen Hunt) are both recovering alcoholics. She got a babysitter so they could go to a meeting together but he didn’t know that was the plan so he already went to a meeting by himself earlier. While he stays home watching the baby his cousin Ronnie (Michael Rappaport) shows up and begs him to come drive a truck loaded with stolen cars. Jimmy tries to throw Ronnie out (“I could go to jail just for talking to you”) but Ronnie has a broken finger and convinces his cousin that somebody’s gonna kill him if he doesn’t find a driver. And Jimmy’s the last on the list. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Bringing Out the Dead

Thursday, January 28th, 2010

tn_bringingoutthedeadBRINGING OUT THE DEAD is Martin Scorsese at his most nightmarish and hallucinogenic, a movie almost entirely in helicopters-overhead-paranoid-end-of-GOODFELLAS mode. That’s ’cause it’s about night shift EMT workers, which I think we can safely assume is probly a pretty stressful job. The movie is written by Paul Schrader based on one of those “this job is fucked and we’re all on drugs” type exposes, like Kitchen Confidential was for chefs.

Man of the hour Nic Cage plays Frank Pierce, who doesn’t get enough sleep and thinks he sees the ghosts of everyone he’s failed to save. He has a hard time feeling like a hero since most of the calls he gets are DOA or false alarms. He’s always doing CPR on dead babies or begging the hellishly overcrowded hospital to take in a vegetable. He’s so tired of bum-out cardiac arrests (“COME ON, PEOPLE!” he scolds) that he’s happy dealing with the notoriously foul-smelling drunk Mr. O, who calls in every time he’s wasted. The one time Frank does succeed in resuscitating a guy he feels guilty about it and imagines the man telling him to let him die. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.