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Posts Tagged ‘Matt O’Leary’

The Lone Ranger

Monday, July 8th, 2013

tn_lonerangerFuck it. I loved THE LONE RANGER. I’m not gonna downplay it. It doesn’t surprise me it’s not a runaway hit, ’cause it’s a cowboy from a fuckin radio play, for chrissakes. Every several years they sink a bunch of money into a movie based on an old timey adventure hero like The Phantom, The Shadow, The Green Hornet, John Carter, or this guy, and maybe with the exception of Zorro they’ve all failed to make money or capture the public consciousness. But I tend to like these kinds of movies, so thank you, corporations, for losing so much scratch on my behalf, especially this time. Here we have the most artful and original of any of those mentioned. I wouldn’t expect everybody to want to see it, but I honestly can’t comprehend the hatred for it by people who have.

It’s made by Team Pirates of the Caribbean: director Gore Verbinski, star Johnny Depp, producer Jerry Bruckheimer, studio Walt Disney, writers Terry Rossio & Ted Elliot (this time with Justin Haythe, who wrote SNITCH), composer Hans Zimmer. And I personally really like their three Pirates movies, so keep that in mind, but this is much more concise and focused. I’m not gonna say it’s better than PIRATES 2, with all those crazy creatures and shit, but it’s faster moving and better structured. (read the rest of this shit…)

Eden

Wednesday, June 26th, 2013

btisltn_edenIf you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)

Because of the new title we know there’s an abduction of some kind, and the movie opens with a girl crying, tied up in the trunk of a car (as crappily photoshopped on the generic DTV-looking cover). If you insist on knowing more than that then read on. (read the rest of this shit…)

Fat Kid Rules the World

Monday, February 4th, 2013

tn_fatkidrulestheworldThe only reason I heard of this indie teen movie is because it was filmed in Seattle. That’s kind of novel to us because most Seattle-based movies are really filmed in Vancouver (BATTLE OF SEATTLE, HOLLOW MAN 2, TRUE JUSTICE) or even, in the case of CHRONICLE, Cape Town, South Africa. Kelsey Grammer wanted to film Frasier in Cape Town, but he moved it to protest the end of apartheid. That’s a joke, Kelsey, I’m just busting your balls. Thanks for reading.

Anyway this is good for Seattle people to spot recognizable locations, and it’s not supposed to be Everytown, USA like WORLD’S GREATEST DAD, so they mention or make visual reference to Seattle clubs (Neumo’s, Comet Tavern) and institutions (Seahawks, Sounders, SIFF, Easy Street Records [R.I.P. Queen Anne location]). But the great thing is that it’s also a real movie, a sweet underdog story with real emotion and surprising nuance. And it’s directed by Matthew Lillard of SCREAM and SCOOBY-DOO fame. I’m impressed.
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Sorority Row

Tuesday, February 23rd, 2010

tn_sororityrowBruceSometimes when we talk about all these horror remakes it seems kind of senseless, you can’t even tell what they’re thinking when they pick which movies to remake. But the reasoning behind this one is clear: HOUSE ON SORORITY ROW is one of our culture’s most recognized and beloved stories ever. The name recognition alone is invaluable, even if you change the name, like they did here. But the idea of a killer going after sorority girls to avenge a prank gone wrong, you can’t just make something like that up. You gotta remake it up. You buy the rights to it, then you change what the prank is and who is accidentally killed and who gets revenge and how they do it and why, and you change the title and most of the characters and events.

I trust I’ve made my case. This young generation was hungry for a movie that is not named after but is slightly similar to a whole bunch of movies they never heard of including HOUSE ON SORORITY ROW. These producers and filmatists could feel that hunger, they could hear the growling stomach of the zeitgeist, and they delivered it this pizza. And we, as a culture, used a coupon and didn’t tip. (read the rest of this shit…)