In case you’ve had your fill of straight-to-video action and shit, I’ll give you an alternative. Today we’re having a triple-feature of ’70s blaxploitation movies with scores by Johnny Pate. You know, I’m trying to find one of those real accessible topics everybody can relate to.
Johnny Pate is a Chicago-born bassist and arranger. He says his first and biggest love is jazz, but to me he’s a legend because of his comparatively brief detour into R&B in the late ’60s and early ’70s. He worked with many Chicago labels of that era but most notably alongside the one and only Curtis Mayfield – Pate was an arranger for the Impressions and for Mayfield’s label, Curtom.
I’m not as detail-oriented about music as I am about movies, so I probaly wouldn’t know about Johnny Pate except that I happened to pick up his 1970 funk instrumentals album “Outrageous” when it was reissued last year by Dusty Groove. Then I found out he scored SHAFT IN AFRICA so I finally got around to watching those sequels and loved them. At least half of my love for blaxploitation movies comes from the music, and of course SUPERFLY and SHAFT are the two most legendary blaxploitation soundtracks. Here’s a guy who kind of connects them together – he arranged Superfly for Mayfield, he scored the third SHAFT movie, and even played with the original Isaac Hayes SHAFT themes when he scored the short-lived (and not on DVD) SHAFT tv series. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.