Posts Tagged ‘John Wayne’

Rooster Cogburn

Monday, April 12th, 2010

tn_roostercogburnIn ‘75, six years after John Wayne won his Oscar playing Rooster Cogburn in TRUE GRIT, they figured on bringing the character back. Not a bad idea, actually. Maybe not as good as my idea of spinning off his cat, but still, it works. He’s a marshall who goes after outlaws, obviously he’s gonna have other adventures. That’s what this is, this ROOSTER COGBURN, it’s not a stripped down drama about him getting old like ROCKY BALBOA was. (And if you’re looking at that picture thinking man, Mattie Ross got old fast, don’t worry, it’s a different character.)

This particular adventure (subtitled “(…and The Lady)” on the DVD box) starts out like an old west Dirty Harry movie. The judge is outraged by Cogburn’s unorthodox methods. He shoots too many people and isn’t good enough at kissing authority figure ass. So he gets his badge taken away. I thought it was kind of funny to have John Wayne doing this when he actually turned down DIRTY HARRY, but when I read True Grit: The Book I learned that this scene is sort of based on something that happens at the end of that book. (That doesn’t explain McQ, though.)

Of course the judge has to come crawling back to him because a gang stole some nitro glycerin for robbing a bank, and Rooster’s the only one with the skills, knowledge and balls for the case. On the trail he comes across a small church where the gang killed some people. The survivors are the preachy spinster Katherine Hepburn and a young scout who dreams of becoming the first Native American marshall. Of course Rooster reluctantly takes them with him and eventually comes to care about them. (more…)

True Grit

Sunday, April 11th, 2010

tn_truegritThis movie’s gettin a squeeze of the ol’ limelight again on account of the Minnesota Coens are doing another version of the same book.

In this first version John Wayne plays U.S. Marshall Reuben “Rooster” Cogburn, who everybody talks about as a mean old bastard but let’s be honest, he’s really a lovably eccentric curmudgeon. I mean even if he says no at first it doesn’t take a whole lot to convince him to go on a bounty hunt with a 15 year old rich girl. And then he doesn’t rob her or slap her around or anything. In fact the big turning point in the story is when the Texas Ranger who’s going along tries to spank the girl with a switch, Rooster decides to put his foot down and enforce an anti-spanking policy.

I see plenty of room for Coen humor here with Mattie Ross, the spanking victim in question who hires Rooster to catch her father’s killer. She has a Barton Fink sense of entitlement (”My family owns property and I want to know why I’m being treated this way!”) and her repitition of the word “grit” (”I’m looking for someone with grit,” “I hear he has grit?” “Is this what you in Fort Smith call grit? Back in Yell County we have a different word for it,” etc.) would be right at home in any Coens movie. (more…)

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Rio Bravo

Saturday, February 2nd, 2008

Recently a reader named David Lambert sent me a very accurate email:

“…I’ve loved your site for almost a decade now, but my one complaint is the almost complete lack of reviews for Westerns.

The Western is the most bad-ass genre out there and it’s a huge hole in your ‘reviewography.’

How can a guy calling himself ‘Outlaw’ Vern not represent the genre that the term ‘outlaw’ comes from?”

You got me, David. I knew he was right so I pledged to “at least review RIO BRAVO or something,” and he gave me a variety of other suggestions that could come in handy if I am to strive for this particular type of excellence.

You guys probaly all saw it already but just in case: RIO BRAVO is Howard Hawks’s 1959, 2 hour and 40 minute “last great western.” The opening 5 minutes or so is done with no dialogue, but with musical cues any time somebody gets punched or shot, so it kind of seems like a musical pantomime or something. It’s goofy but it’s a great opening because it establishes the basics about the three main characters. First you got Dean Martin as Dude, a pathetic unshaven drunk trying to get a drink at the saloon. Then you have Claude Akins as Joe Burdette, the asshole who throws a coin into the spittoon so that poor Dude will have to reach into a pound of spit if he wants his drink. And then John Wayne as Sheriff John T. Chance, who kicks over the spittoon before Dude reaches in, to save him some dignity.

The first shot of John Wayne is looking up at him from the ground, so even though this is a traditional western and not as gritty as the revisionist ones I prefer, you are definitely gonna get some badass in here. The spittoon incident turns into a fight. Chance gets in Burdette’s face, Dude hits Chance over the head with a board, Burdette is gonna shoot Dude, but some dude tries to calm him down so he shoots that guy instead. Then he goes to another bar. (more…)

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