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Posts Tagged ‘John Saxon’

Battle Beyond the Stars

Monday, July 6th, 2015

tn_battlebeyondFuck a star war – what about a battle beyond the stars? I know a battle is smaller than a war, it is only one of the units that makes up a part of a war, but maybe that’s better. More intimate. More focused. And then it’s beyond the stars instead of within them, as a mere star war is. Beyond is better. This battle has transcended the fucking stars.

Admittedly, it doesn’t seem like BATTLE BEYOND THE STARS takes place further away from here than any of the STAR WARSes. In fact, it is for sure closer, because people have heard of the planet Earth, and one guy is from there. His name is Cowboy, but not the pioneering rapper from the Furious Five who coined the term “hip hop.” He’s actually George Peppard a couple years before The A-Team and he wears a cowboy hat, plaid shirt and insulated silver space pants. He always shows off that he likes westerns and exotic Earth liquor. Obviously he’s the Han Solo character, and he’s entertaining, but most of his scenes are alone in his ship, so there’s a Chewbacca-sized hole next to him. (read the rest of this shit…)

Rabid and Fast Company

Sunday, November 11th, 2007

I always wanted to watch all of Dave Cronenberg’s movies in order, or at least the ones I haven’t seen or don’t remember very well, and I’m finally giving that mission a shot. This is only #2 and #3 here though so don’t start congratulating me yet. But here’s a look at some early Cronenberg.

RABID is typical of Cronenberg’s early work, because it’s about a girl who gets all worked up and bites people to death with the vagina she has in her armpit. FAST COMPANY is the least typical of all Cronenberg movies because it’s about funny car racing. That wouldn’t be a surprise if they were funny cars shaped like vaginas, but these are just regular funny cars with wheels and seats and everything. Driving fast. On race tracks. Etc. (read the rest of this shit…)

The Glove

Saturday, June 23rd, 2007

Like I mentioned in my review of WHO CAN KILL A CHILD? that should be running on The Ain’t It Cool News soon, I’m on the mailing list for this Dark Sky DVD label. So I get all these nicely packaged Italian horror obscurities and what not, and to be honest I haven’t watched most of them yet. I loan them to my horror watcher friends and hope they’ll tell me I got a must-see there. But that doesn’t usually happen.

For the batch that comes out this week though I found time to watch them and I was impressed. The one I had the highest hopes for was WHO CAN KILL A CHILD? which is a creepy sun-drenched Spanish horror movie in the vein of VILLAGE OF THE DAMNED. But I already heard that one was good before, so a more impressive find is THE GLOVE, the b-picture in their latest “DRIVE-IN DOUBLE FEATURE” along with SEARCH AND DESTROY. (read the rest of this shit…)

Black Christmas

Monday, September 25th, 2006

You probaly know director Bob Clark as the guy who did PORKY’S and A CHRISTMAS STORY. More recently he did the two BABY GENIUSES movies and something called KARATE DOG which, judging by the cover, is not a metaphorical title. But back in the day he was a pretty good director of horror movies. One of the ones he did was DEATHDREAM, a really eerie movie about a guy coming back undead from Vietnam and everybody is sort of in denial that he’s different. I liked that one a hell of alot better than HOMECOMING, Joe Dante’s sort of similar anti-war zombie thing from the Masters of Horror show.

But right after DEATHDREAM Clark did his most famous horror movie, BLACK CHRISTMAS, and it’s a pretty good one. (read the rest of this shit…)

Enter the Dragon

Friday, June 24th, 2005

BREAKING NEWS: ENTER THE DRAGON is a classic and it’s mainly because of Bruce Lee’s performance. More on this story as it develops.

Okay maybe that’s old news. He’d been trying for years to become a superstar in the US (he only went back to hong kong after being dissed one too many times by the white man). So it was a big deal for him to have his big american co-production. And in the movie he has so much screen presence that they had to build a special type of camera to film him, after going through six different regular cameras that broke because of his power.

Actually that’s complete bullshit, I just made that up. That woulda been cool though. Anyway anything you need to know about why Bruce Lee is such an icon is in this movie: the arrogant persona (his character is actually kind of a dick), the perfect physique, the powerful moves, the cool nunchucks, the occasional philosophy, the greatest theme song of all time (thank you Lalo Schifrin). But everybody knows that. I’m not telling you anything you don’t know if I talk about that. So let’s give some credit to the rest of the movie. For example, co-star John Saxon. (read the rest of this shit…)