Posts Tagged ‘David Cronenberg’

Crash (1996)

Sunday, January 29th, 2006

Since I recently watched that movie CRASH that Roger Ebert said was the best movie of 2005, I decided to finally go back and watch the original David Cronenberg version, which in my opinion is pretty fucking different.

This is the courageous story of a movie producer (James Spader) and his wife (Debora Kara Unger from STANDER and PAYBACK and THE GAME) and all the people they like to fuck from behind (various). The movie opens with Ms. Unger in an a hangar rubbing her nipple against an airplane while some dude licks her ass. And you can imagine where it would go from there (perverted car crashes, etc.). Very predictable, standard stuff.

Okay, if I must spell it out for you: The plot really kicks in when Spader causes a car accident that badly injures himself and Holly Hunter, and kills her husband. They later meet up at the junkyard where their wrecked cars are kept, and have sex in a car while (we find out later) Elias Koteas takes pictures.

The only way to accurately describe this movie is as a late night Cinemax movie gone horribly, disastrously wrong. Maybe this is the Shannon Tweed movie you’d watch on Videodrome.

Elias Koteas’s character Vaughn is sort of the leader of a weird subculture of people sexually obsessed with car crashes. Both James Spader and Holly Hunter met him while rehabilitating in the hospital, because he came in and took photos of their injuries. Later they go around together and find highway accidents and lecherously photograph them. (more…)

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A History of Violence

Friday, September 23rd, 2005

First of all Moriarty, to finish up that debate we were having over in your talkback, porn is not boring. At least not if you’re jerkin off to it. And if you’re not jerkin off to it you’re not giving the picture the respect it deserves. That’s like doing a crossword puzzle during a subtitled movie and then saying the movie didn’t make any sense. I know Alberto Gonzales recently declared a “war on porn” one of the administration’s highest priorities, but don’t write off the merits of hardcore porn without giving it a fair chance. Let’s show some class here, bud. That’s first of all. Second of all, I got a review of David (JASON X) Cronenberg’s excellent new picture A HISTORY OF VIOLENCE starring Viggo Mortensen.

This is basically a smart thriller, a simple one, nothing complicated, no crazy twists. It’s short and sweet although it moves at a somewhat deliberate pace (which is code for “some assholes will say it’s too slow but they’re wrong”). This is pretty much the most “normal” movie Dave Cronenberg has ever made. But it’s intense, intelligent and serious so it doesn’t feel like some kind of sellout movie. Just a rare moment where the guy is working on a wavelength that normal humans might be able to relate to. I’m sure his next movie will have vaginas growing out of people’s arms and machines made out of tongues and crap like that and you and I will enjoy it but I think it’s nice that once every ten or fifteen years he is willing to invite the rest of the neighborhood in for a show. Just tell them it’s the guy that did THE FLY and DEAD ZONE. But this one is less weird. Actually tell them it’s HIDALGO.

If you saw the trailer you pretty much know the first part of this movie: Viggo is Tom Stall, a family man in a small town, runs his own diner, beloved by the community, etc. Then one day some drifters try to rob him, he jumps over the counter and blows their fuckin heads off, etc. This makes him a local hero and media sensation, but you know, you don’t get moves like that from pouring coffee. That’s clear to Ed (KNIGHTRIDERS) Harris, a mobster from Philadelphia who shows up at the diner sporting a creepy fucked up eye and calling Tom “Joey.” I like Ed Harris, like in that Alex Cox movie WALKER. So I forgive him for stalking poor Tom and his family, seeking retribution on behalf of that fucked up left eye. (more…)

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Jason X

Saturday, January 1st, 2005

JASON X is the future of slasher franchises left over from the ’80s, and not just because it’s about Jason Voorhees being frozen and defrosted in outer space 450 years later. No, this is the future because it finally figured out a good approach to keeping these stupid characters going. This isn’t trying to update things by infusing the same old crap with last month’s stale gimmicks. See for example the upcoming Blair Witch/webcast Halloween picture you see advertised before JASON X (although I do like seeing Buster Rhymes say “Trick or treat motherfucker!” – wouldn’t he make a better Dolemite than LL Cool J?)

No, this one works because it works as a genuine dumb slasher movie, as a parody of one, and as some weird pop culture accident where a familiar series got thrown into the wrong genre unexpectedly. It’s a more consistent attempt at the BRIDE OF CHUCKY approach to modern slasher sequels. Take the character and cliches from the earlier sequels, put them in a way more ludicrous situation (and it really is WAY more ludicrous in this case) and have fun.

Of course the look of JASON X is much cheesier than BRIDE OF CHUCKY because it doesn’t have oscar winning cinematographer Peter Pau. But it does have a few good digital effects (mostly in the opening credits sequence which takes place inside Jason). I heard a rumor that it was shot on the same digital cameras used for VIDOCQ 1 and STAR TREK 2 and EL MARIACHI 3, but if it was you couldn’t tell by looking at it. All you could tell was that it was shot in Canada.

In the earlier Jason pictures, I think the filmatists were taking things more seriously than the audience. I know there are a couple of nutballs out there who enjoy these movies straight up but clearly the vast majority of people who go to see them go in and laugh at the fancy new tools Jason manages to find laying around somewhere and use for mutilation. The filmatists may or may not have been aware of this fact but if they were they never let on, treating the situations like the audience might actually be scared by them. (more…)

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