DESERT HEAT aka COYOTE MOON or INFERNO
When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.)
DESERT HEAT is a weird-ass DTV movie from John G. Avildsen, the Oscar winning director of ROCKY. I’m not gonna bother to cross-reference but until somebody tells me otherwise I’m gonna assume Avildsen is the only owner of a Best Director Oscar statue who has ever directed a Van Damme movie. And for some reason, I don’t know why but he decided to play down his involvement in this picture and credit himself as Danny Mulroon. And then later it also says his name. Make up your mind Avildsen – are you ashamed or not? Keep your story straight.
Anyway the movie starts with a Seagalian quote about the coyote’s place in Native American legend, as Van Damme chases and surpasses a coyote on a motorcyle. He parks his vintage Indian motorcycle in the middle of the desert, swigs some whiskey and waves a gun around. Suddenly, a vision of the great Danny Trejo (playing a Native American) appears to him and tries to talk him out of killing himself.
It’s funny to see J.C. play drunk talking to a ghost, especially when he starts firing his gun randomly in the air. Somehow the bullets hit the truck of some sleeveless musclebound porn movie style cowboys named the Hogan brothers. They are one of two gangs that terrorizes the small town, somehow squeezing a criminal empire out of a town that seems to consist of one cafe, one bar, a hotel and some dirt. (more…)
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If you ever saw THE HOUSE OF 1,000 CORPSES, there’s one thing you probaly remember. It’s this montage set to “I Remember You” by Slim Whitman. It’s got lots of slow motion and you can’t hear anything but the music as the cops discover a couple of the house’s thousand corpses unexpectedly, then get gunned down by the Firefly family. The montage ends with Otis (Bill Texas Chain Saw Massacre 2 Moseley) holding a gun to a cop’s head and it sits there with 20 full seconds of complete silence and stillness before he executes him.
