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Posts Tagged ‘Cormac McCarthy’

The Counselor

Tuesday, November 5th, 2013

tn_counselorI’m a lightweight when it comes to reading Cormac McCarthy books. I read No Country For Old Men, loved it, then loved the movie version. I was deeply moved by The Road, the movie was decent. Before those I tried to read All the Pretty Horses, but I think it was too dense for my brain at the time, I didn’t get very far. I haven’t tried Blood Meridian yet, I know that’s the one everybody recommends.

But from my limited experience THE COUNSELOR, the Ridley Scott movie made from McCarthy’s first original screenplay, is sure recognizable as his work. It’s a crime story full of colorful characters and the occasional brutal violence, but it’s not interested in a straightforward approach to storytelling. I mean, it’s never as aggressively untraditional as that one really abrupt thing that happens toward the end of No Country (I had to flip back a few pages after that one ’cause I thought I missed something), but it takes it’s sweet ass time getting to a point where you even know what it’s about on the surface. (read the rest of this shit…)

The Road

Sunday, November 29th, 2009

tn_theroadTHE ROAD is a good movie, better book. If you’re thinking about reading it but haven’t got to it yet I’d say read it, then see the movie. The movie (directed by John Hillcoat, who did THE PROPOSITION) is very faithful to the book (by Cormac McCarthy, who did No Country For Old Men) and illustrates it well, but it can’t really do the same thing.

In case you don’t watch Oprah, the story is about a man and his son after civilization has been destroyed by some unnamed disaster. They’re cold, hungry and worn out and trying to push their little cart of belongings across the United States to the coast. They don’t even really know what they expect when they get there, they just don’t know what else to do. (read the rest of this shit…)

No Country for Old Men

Saturday, November 24th, 2007

A guide for enthusiasts of Badass Cinema

NO COUNTRY FOR OLD MEN is one of those movies that’s so quiet it can be uncomfortable to watch with an audience. Alot of scenes all you hear is the wind blowing lightly over the wide open Texas plains, or the cars driving past outside a motel room, along with every squirm, every sigh, every shoulder crack in the theater. At the end when I saw the music credit for Carter Burwell I honestly couldn’t for the life of me remember any point in the movie where there was music.

So it’s clearly a little arty, it’s not like anybody’s gonna mistake this for THE MUMMY RETURNS. Or for THE FRENCH CONNECTION for that matter. It requires a little patience. But there’s so much about it that’s so fuckin good that it will win over all kinds of people from all walks of life. At first. (read the rest of this shit…)