LEON (THE PROFESSIONAL) sums up Luc Besson pretty good, doesn’t it? He’s creepy about young women. Also, he’s really good at putting them in cool, stylish action roles. His latest in that vein, ANNA, came out this summer with little fanfare (or box office), at least partly because Besson had recently been accused of rape. Maybe it deserved to fail. But for whatever it’s worth it’s a solid movie full of what he does well.
It actually has alot in common with ATOMIC BLONDE. A beautiful bisexual spy (well, assassin in this case) double and triple crosses her way through end-of-the-Cold-War European intrigue with a twisty plot and a couple of long, impressive fight sequences. Charlize and her action and David Leitch’s intoxicating colors and music are more my speed, but ANNA has the advantage of being real complicated without being hard to follow. It’s a satisfying tale. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.