Well looks like I won’t need to watch the Oscars after all, one of my buds just got in a truckload of Oscar statues and we’re gonna pass them out to deserving motherfuckers on the street. If you feel you have been neglected in the past, this includes Al Hitchcock, Stanley Kubrick, Sam Peckinpah etc., please show up on 5th and Stewart Sunday evening.
No just kidding bud, I wish. But the truth is I am getting a little nervous, I am feeling the butterflies in the stomach because like I said I can’t remember the last time I watched the Oscars. It’s been a while and I hope this is a good one.
So this week’s column, well I gotta be honest you might as well skip it because all I’m gonna do is talk about the Oscars and who should win and what not. I mean seriously sorry about this folks this is all I have. I like to think of myself as a creative individual but even the creativest motherfucker around has an off day every once in a while, or pretty often in my case, most often on the day I write my weekly column. But the rest of the week, I mean, you should see it.
Anyway, let’s start off with probaly the most important category, sound effects editing. I have no clue what this one is, I mean how would you know they did a good job editing the sound effects unless they did a bad job. Like if they accidentally didn’t edit out the guy laughing and saying, “ha ha ha, that was celery breaking, not a bone – these people are idiots they believe this shit! Ha ha ha ha!” Then you would know it was bad sound effects editing. But good? I mean, how do you know? I don’t know, all I know is I’m rooting for 1999 Outlaw Award Winner for best picture since I got out of prison Fight Club since it’s the only category it was nominated in. (read the rest of this shit…)

First off I would like to offer up my sincerest apologies, condolences and what not for the tarditude of this particular column, which is one day late (it usually comes out early Monday, thanks for paying attention motherfucker). But I think when you find out what I have been cookin up for you you will understand why it was necessary and WELL fucking worth the wait.
What this is is a low budget “hood” comedy starring Brian Hooks and a bunch of other motherfuckers you never seen or heard of before. It is written plus directed by a dude called D.J. Pooh which, good god I feel sorry for a man with a name like that, imagine what the kids said about him when he was growing up. You don’t even have to come up with something that rhymes with “pooh,” the joke is already written.
















