Archive for the ‘Thriller’ Category

Ocean’s Eleven (2001)

Friday, December 7th, 2001

When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?

I think Steven Soderbergh has the right answer. Two Oscar nominations is nothing to commit suicide over. Sure it’s embarassing, but it’s not the end of the world. After all it was only one year earlier that his picture The Limey won Best Picture, Musical Comedy or Badass in the 1999 Outlaw Awards, and that magic could not be entirely faded. So Soderbergh packed up the political pretensions, left them out on the porch in a box marked for the retard center, and went and made a casino heist movie.

Storywise, Ocean’s 11 is pretty standard. Pretty much what you’d expect from an ensemble caper picture. You start out with A) the introduction of characters, also known as the Cavalcade of Robbery All-Stars. You know, you start out in one city where George Clooney gets out of prison, then you zip over to LA where 1999 Outlaw Award Winner Tyler Durden is busy teaching teen actors how to play cards. And zip zip zip as you whoosh around to the different cities to meet different colorful characters with their specialties (explosives, pickpocketing, circus, etc.) George Clooney is Daniel Ocean and then you need ten others to be the eleven, so you go and introduce those people.

At the conclusion of Section A you get Section B, the Brian De Palma’s Mission:Impossible maneuver, which is where you get a lot of diagrams and speeches about how impossible the security system is, how many lasers, how many high tech identification devices and what not, and you (the audience) get to enjoy waiting to find out how in fuck’s name they’re gonna get past all this. It’s all about anticipation and problem solving. (more…)

Planet of the Apes (2001)

Friday, July 27th, 2001

It pains me to be that jackass who tries to point out that the remake is not as good as the original. Whoah, you’re blowin my mind, Galileo! But facts are facts, and science is science, fellas. The one and only mainstream event movie of the summer of 2001 is a big fat mess.

Planet of the Apes is the story of Mark Wahlberg landing on the Planet of the Apes. After this happens, there are many apes, etc.

Now if you’ve seen the original 1968 film by Rod Serling and friends starring Charlton Omega Man Heston, you know what not to expect in the remake – a strong story with unique elements of social commentary, good direction and atmosphere, etc.

Now I’ve read a thing or two about this one in the magazines and what not but I wouldn’t have to know it already to tell that this is one of those mega budget hollywood vehicles where they were still trying to Write it when they had already filmed it. And I know this is gonna be unpopular but buddy, you need a script for a picture like this. I know Mike Leigh, Wayne Wang, Christopher Guest etc. would disagree with me but improv is for pussies, in my opinion.

They got all of the elements of the original: apes and people. And nothing else. In this one, the people talk, and the apes have an even more primitive culture where they don’t even have guns. There is so little difference between the apes and people that the premise doesn’t even make sense anymore. Nobody knows why the apes look down on the humans so much or why the humans don’t fight back. Especially since in this one apes are afraid of water. You fuckin humans ever heard of a dam? Just flood the fuckers. Planet of the beavers coulda figured that one out why can’t planet of the humans? (more…)

Brother

Wednesday, July 25th, 2001

To: harry@aintitcool.com
From: outlaw_69@my-deja.com
Cc: moriartyaicn@yahoo.com
Date: Wed, 25 Jul 2001 00:35:48
Subject: Vern sees BROTHER

——————————————————————————–

Dear Harry and the boys,

My name is Vern and I am a scholar of the Badass Cinema. I take my job very seriously and I would stake my entire academic reputation on this here claim: Takeshi Kitano is a Badass Laureate.

For those of you who are not familiar with Badass theory, the Badass Laureate is the highest category of Badass. There are many Badass individuals who have proven themselves through their works. I’m talking about gentlemen like Jet Li, Dolemite and Chow Yun Fat. Like Lee Marvin and James Coburn and Toshiro Mifune.

I’m a fan of the Bruces (Willis, Campbell and Lee). I enjoy asskickers of all types and nationalities. But none of these guys are Badass Laureates.

Because to enter this category, you must be more than a great screen Badass. You must also be a powerful filmmaker in your own right. To both kick ass and to express the kicking of ass through the language of Cinematics.

That doesn’t mean you are an action star who directs a movie or two. I love On Deadly Ground as much as the next guy – hell, even more – but Seagal doesn’t qualify. Van Damme definitely doesn’t (his only truly great work, from an artistic standpoint anyway, was during his surrealist period with Tsui Hark). I’m not sure about Vin Diesel because I haven’t seen the short films he did, but I doubt it. It is even debatable whether Bruce Lee or Jackie Chan qualify, although arguments could be made. (more…)

Unbreakable

Wednesday, November 22nd, 2000

BRUCE WILLIS’S UNBREAKABLE

Starring Bruce Willis

If you know Vern then you know I am not the kind of Film Writer who avoids giving away surprises or “spoilings” in movie reviews. The dude from Felicity is the killer in Scream 3 to name only one example. Apparently the girl in the Crying Game has a dick but I haven’t seen that one. I can verify that it does happen in one of the Sleepaway Camp pictures though so keep your eyes peeled for that one as well. Anyway point is if you want to go into a movie fresh you shouldn’t read my review first is the point. Especially when it comes to the films of Bruce Willis.

Now I am not saying this is some big surprise ending movie. There is a twist or two along the way but it’s not the Whole Point of the movie or nothing. I’m just saying, they are advertising this without telling you jack shit about what it is about. Holding back, for once. And sometimes it’s nice to sit back in that padded multiplex seat and not know what to expect, and you say Bruce, tell me a story. I was able to come in to this one fresh.

So I gotta say I was kinda surprised when the picture started and the words come on the screen that say, “There are 132 pages in the average comic book. The average page has 16 panels. In 1998 alone, over 100 adults admitted to reading comics. Some extremists even believe comic books are a legitimate form of literature.” or something along those lines.

Turns out Unbreakable is about more than just the reteaming of two film greats, Die Hard With a Vengeance’s Bruce W. Willis and Samuel L. Shaft 2K Jackson. Turns out it’s about comics. That said, some adults will still like the movie. (more…)

Shaft (2000)

Friday, June 16th, 2000

Going in I didn’t know WHAT to expect. A remake? A sequel? The ads made it look silly and ridiculous. Like not so much a remake as a big screen addaptation of the Shaft theme song.

But then I never thought Shaft was the god damn word of the lord or anything. He’s a cool character and I like his work and what he accomplishes with the ladies but I never thought his pictures had the same emotional depth of Superfly or The Mack or Blacula. Maybe it’s because those are movies about outlaws instead of a law enforcement figure like a private eye. Or maybe not. I think you kind of had to be black at that time to know what it meant to finally see a black James Bond character like John Shaft. But at the time, just as now, I was a white man.

So I was open to some noodling and fiddling with the Shaft character, but to my surprise it is a surprisingly faithful update with hardly any shenanigans. It is a pretty serious story of Shaft trying to catch a racist murderer rich boy bail jumper played by none other than the American Psycho from the film American Psycho starring Patrick Bateman. The tone of the picture is a very strange and enjoyable cross between gritty police stories like Clockers and the Homicide television program and the more corny ’70s tv shows like CHiPs. So the violent scenes are grim and disturbing but you still got a foot chase or two with Shaft chasing a dude up and down fire escapes fueled only by wah wah guitars.

The reason I like this picture is mostly the ’70s feel. The only Isaac Hayes song they used is the main theme, but the score is all extrapolated from the style of that piece. And Shaft is a character with a combination of qualities you just don’t see all at once anymore. He is the guy who always looks cool, always knows how to trick somebody or kick somebody’s ass something good, is single and open to sharing his charms with many ladies, and who also is sensitive and supportive to the point of sainthood. During the court room scene, he is sitting behind the mother of the victim, rubbing her shoulders and telling her everything is gonna be okay. You almost think he is a guardian angel. (more…)

Ghost Dog: The Way of the Samurai

Monday, April 3rd, 2000

First off folks I would like to apologize from the deepest recesses of my big ol’ outlaw heart for getting this column in late. I know some of you really count on the punctuality of this particular column Vern Tell’s It Like It Is and if it is not ready for you on monday morning it throws off your whole damn week. Without my artistical Cinematic musings, my down to earth stories and advice, you are not ready to begin your week.

Oh who the fuck am I fooling, nobody knows this but this column usually goes up early Monday morning, but this time it was late. If anyone noticed then sorry bud. Remember it comes out on monday gang please read it regularly. jesus.

Anyway, the reason why I was late can be blamed on one individual named Ghost Dog and his picture Way of the Samurai. You see ever since seeing this picture I have been trying to be more open to the different ways of the individuals in different parts of the world, cultures, etc. I think Ghost Dog has a very good point that it is time people started learning from people who are different from them, from the chinese circus acrobats who swing from their hair to the dude in El Topo who has no legs who is strapped to the back of the dude with no arms.

We as americans must stop taking everything so literally man. Just cause a guy is a shaolin monk or a guy with blue hair does not mean you can’t exchange tips on how to live life. I think a cowboy or an astronaut could go out for a drink with say a ninja or a ballerina, and could learn from their ways. This does not mean the astronaut starts wearing a tutu underneath the astro-suit, or even that he does ballet moves while floating through outer space. What I’m talking about is they can get to the core of the thing, the understanding. They can learn from the philosophy or the attitude and figure out how to apply it to their own life. I mean imagine if Clint Eastwood in the westerns had learned how to look at life the same was as a ninja. I mean jesus he would be unstoppable, that motherfucker. I almost don’t even wanna think about it. (more…)

Romeo Must Die

Wednesday, March 22nd, 2000

This is the latest Jet Li picture, his last in the US was 1999 Outlaw Award Winner for Best Picture – Karate Black Mask. That was weird type of comic book story where there is karate, masks, lasers and all that sort of garbage, which is why it is good. Jet Li is an amazing type of action star as far as the kicks, the punches and etc. Legend has it that he is so fast they have to ask him to slow down so the camera can pick him up properly. In fact this guy is faster than Superman in my opinion, and he can also fly although only with the help of cables that are removed using high tech electronic computers that they have today. But the real thing about Jet Li is that he is a very charismistic and good looking dude, maybe a little feminine but in a “I’m gonna kick your ass and the girls will still think I’m sensitive, sucker” type of way.

What’s historic about this one is that it’s the first picture ever made in English with Jet Li as the star. The only English language picture he’s done in the past is I believe Beverly Hills Cop 4 or one of those type of movies, where he played the bad guy in a couple scenes and then the good guys make fun of him for being chinese. But he was so much more popular in that movie than the movie itself that now he is being groomed to join the pantheon with Bruce Lee, Jackie Chan, Rudy Ray Moore and other martial arts superstars who have made it big in the states. And what better to story give this motherfucker than one by the bard of writing, Mr. William Shakespeare himself, the genius behind Titus and other hits.

Well, that’s what they WANTED us to think. I’ve been reading about this piece for a long time and every single time they call it an update of Romeo and Juliet. I knew they wouldn’t talk like Shakespeare, and obviously there is gonna be some liberties as well as possibly some karate. But I thought it was gonna be a serious, modern karate type of picture which coincidentally happens to be about the warring capulets and whatsits and how Romeo and Juliet meet and fall passionately in love and then the shit hits the fan if you know what I mean, as far as a bunch of karate scenes happen and what not. Of course that would be totally ludicrous. I think it would be very enjoyable. (more…)

Die Hard: With a Vengeance

Wednesday, January 5th, 2000

DIE HARD WITH A VENGEANCE

My first time

Well I have found that a lot of my readers have also come to love the films of the Bruce Willis Die Hard series. But I wonder how many of you are in the same situation as me. Die Hard comes out in 1988, you love it. Die Hard 2 comes out a couple years later, pretty fucking good. Die Hard part 3 comes out but wait a minute, you are incapacitated and/or incarcerated at the time and are not able to ever get around to seeing the thing until letterbox video in the year 2000.

So yes, this is my first time for Die Hard With a Vengeance which is what they call part 3 for whatever reason, not sure about that one get back to me on that one later.

The other Die Hards took place in a limited setting – part 1, they take over a building. Part 2, they took over an airport. Part 3 opens by montaging New York city to the tune of “Summer in the City” by the Lovin Spoonful. You got the cars, you got the people, you got the stores and then oh yeah you got a big explosion. So right away you say wait a minute, these terrorists, these motherfuckers are working on a bigger canvas this time. That canvas, in my opinion, is called New York city. So it’s a whole different thing we’re dealing with here McClane.

Now the second difference here is that McClane doesn’t just happen to be there by coincidence. In fact he’s on suspension and he’s out drinking and they have to find him, because the mastermind who calls himself Simon asks for McClane specifically. (Not to give anything away but he is Hans Grueber’s brother out for revenge.)

In my opinion the opening is the best part of this piece. This one harkens way the fuck back to Bruce Willis’s Die Hard 1 (1988) in which John McClane was introduced as Hollywood’s most fucked up action hero. He’s separated from his wife, he fucks up bad and starts arguing with her, I mean the guy’s falling apart so much he’s walking around without shoes on. (more…)

Armageddon

Saturday, January 1st, 2000

Well this is not a good movie in my opinion. In fact WHAT the fuck is my man Bruce doing in this piece of garbage. I bet when he watched the premiere for this shitpile he started feeling nostalgic for those baby movies.

Now right away I knew something was a-fucking-miss when it opens with a picture of the earth and you got Charlton Heston talking about the dinosaurs. Is there a stupider way to start a movie about astronauts? I mean make up your mind is it dinosaurs or astronauts. You can’t have your cake and eat it too. WHAT THE FUCK in my opinion.

What this movie is about is not dinosaurs but a group of tough, sweaty oil drillers who like to run around and shoot at each other, or go on motorcycle chases or whatever. Okay so far so good. Then the government says look you oil drillers, we’re teaching you how to be astronauts so we can send you up on a space shuttle to land on an asteroid and drill a hole in it because to save the world from asteroids, yunnerstand. The oil drillers say only if we never have to pay taxes again, ha ha ha, see, everyone can relate because you hate to pay taxes. Funny.

Now I think personally the asteroid part is enough to know this movie is nonsense but just in case. We got aerosmith songs with people playing with animal crackers on a gal’s belly. We got a singalong before they take off into space. We got this magic boots that make convenient to help them walk on asteroids instead of float. We got motherfuckers driving around in moon cars going off jumps like the dukes of hazzard, with an iron skull on the stickshift. I mean in my opinion that’s cool but NASA should not be wasting money on this shit. (more…)

Die Hard 2

Tuesday, December 21st, 1999

MCCLANE. JOHN MCCLANE. THE WORKING MAN’S JAMES BOND

BRUCE WILLIS’S DIE HARD 2

Well hell man I guess for those of you who read the title there’s no point in explaining my premise here. You see I just watched Die Hard part 2 for the first time since you know what and I realized that John McClane is a James bond for OUR people. The people who AREN’T rich and who don’t always get the breaks this motherfucker james gets.

Bond is the ultimate secret agent, who the government agencies go to for help. McClane is just a badass that happens to be there when the shit goes down, and the government agencies try to STOP him from helping but they can’t do it cause like the title says this mother fucker is HARD.

Bond has connections everywhere and can go anywhere and do just about anything he wants, but McClane has to save the whole fucking airport just to get these motherfuckers to let him out of a parking ticket. Bond drives snowmobiles and sports cars provided by the government and jumps off of them and blows them up. McClane steals the snowmobiles he uses but also jumps off of them and blows them up. Even when he drives a car at the beginning, its a piece of shit borrowed from his mother in law, and that one gets impounded.

Bond wears expensive suits and dapper uniforms. McClane wears a dirty maintenance man snow jacket he BORROWS from somebody else. If McClane was EVER in a casino, he’d be wearing a sleeveless undershirt, it would be on the Indian reservation, and he’d be losing. My man john doesn’t know the MEANING of the word dapper. He’s a rough and tumble type dude, and if I didn’t know he was a cop i’d swear he done time, cause this is the type of motherfucker that knows how to bite a guys hand during a fight. thumbs up for that one mcclane. (more…)

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