"KEEP BUSTIN'."

Archive for the ‘Martial Arts’ Category

Blood: The Last Vampire (2009)

Wednesday, May 3rd, 2023

While Ronny Yu was promoting FEARLESS, he talked up his next movie: a live action adaptation of the 2000 anime BLOOD: THE LAST VAMPIRE. So, a Hong Kong director in Hollywood remaking a Japanese movie originally made mostly in English because many of the characters were American. When Yu mentioned it while talking to Martial Arts Entertainment the interviewer asked if it was “sort of a wuxia movie.”

“Maybe. Sort of. You’re right!” Yu said. “It’s sort of cross-cultural, because the whole thing takes place in a U.S. Army base in Japan. Yeah. It’s like a cross-cultural wuxia.”

Alas, it was not to be… exactly. Instead of Yu it was made by French director Chris Nahon, known for helming one of Jet Li’s English language films, KISS OF THE DRAGON (2001). Yu was credited as a producer, but I’ve found no evidence of him staying on during filming in, say, a George Lucas or Steven Spielberg capacity. I suspect he left but got the credit because he’d done so much of the pre-production that Nahon built off of. Yu is not mentioned or shown in a 20 minute making-of featurette on the DVD and blu-ray, but I think it’s reasonable to assume Nahon kept a decent amount of what he put into place, since the sole credited writer Chris Chow and the cinematographer Hang-Sang Poon are both holdovers from FEARLESS. Yu was also still reported as director when Korean actress Jun Ji-hyun, credited as Gianna, was cast as the main character, Saya. (read the rest of this shit…)

Fearless (2006)

Monday, May 1st, 2023

“First level is the physical contact. Use your physical skill against your enemy. That’s most action films doing this kind of genre. The second level is use your knowledge, languages, strategy, everything you could before physical contact to stop your enemy. Third, use your honor, belief, your love, show to your enemy. Turn your enemy into your friend. I tried to share those three levels in the movie.” —Jet Li on FEARLESS


After the success of FREDDY VS. JASON, it seemed like Yu might continue his relationship with New Line Cinema, making the sort of slick studio b-movies both parties were pretty good at in those days. As I mentioned in my review of THE 51ST STATE, Samuel L. Jackson tried to reteam with the director for the company’s weirdly anticipated goof SNAKES ON A PLANE. But Yu believed Jackson’s star power would outshine the snakes, so he wanted his character to be swallowed by a python in the middle of the movie.

“Now the audience is intrigued. Now everyone on the plane will group together and kill the snakes,” he later told Blackfilm. “That’s the way I thought it would be interesting. Of course, they said ‘Take a walk!’”

So walk he did – all the way to Shanghai, China. And there he met up with Jet Li, a fellow Hong Kong cinema export who’d made even more of a go of it in Hollywood than Yu had. Since the handover Li had been the villain in LETHAL WEAPON 4 and then starred in the English language films ROMEO MUST DIE, KISS OF THE DRAGON, THE ONE, CRADLE 2 THE GRAVE and UNLEASHED. (He had also made 2002’s HERO in China, so this was not his official return to Asia like it was for Yu.) (read the rest of this shit…)

Warriors of Virtue 2: Return to Tao

Thursday, April 20th, 2023

Somehow I, a person fascinated with both Ronny Yu’s kangaroo kung fu movie WARRIORS OF VIRTUE (1997) and the medium of unlikely DTV sequels, lived for many years unaware of the existence of WARRIORS OF VIRTUE 2: RETURN TO TAO (2002). Once I did learn of it I found it in a DVD collection called “6 Family Fantasy-Adventure Movies” along with the other Miramax library titles PINOCCHIO (2002), NEVERWAS (2007), A WRINKLE IN TIME (2003), THE NEVERENDING STORY III: ESCAPE FROM FANTASIA (1996) and, in a strange coincidence, MERLIN’S APPRENTICE (2005), directed by Yu’s frequent editor and BRIDE WITH WHITE HAIR 2 director David Wu. They also released it as a double feature with that version of BEOWULF starring Christopher Lambert. It has no Ronny Yu involvement and, worse, no kangaroo involvement, which I’m sure is why nobody ever heard about it. I mean, if there’s a movie where April O’Neill is trying to find the Ninja Turtles and when she does they “lost their powers” so they’re just people wearing different colored headbands then I never heard of that one either. Though I kind of want to.

But obviously it is my professional and ethical duty to extend my tangent from the actual Ronny Yu movies until such a time as I have reviewed this DTV spin-off. (read the rest of this shit…)

Warriors of Virtue

Tuesday, April 18th, 2023

“Virtue be yours!”

There are several reasons I wanted to do a Ronny Yu retrospective, and coming in at around #3 (but maybe it should be higher) is the existence of this, his first American production, which is (to date) his only movie about kung fu kangaroos. WARRIORS OF VIRTUE is a crazy fuckin PG-rated family action adventure fantasy that mixes some of the elegant imagery and mythology of Yu’s previous work with a bizarre mix of NEVERENDING STORY and TEENAGE MUTANT NINJA TURTLES. It could be argued to be Yu’s worst movie, or his most unusual one. It’s totally derivative, yet there’s absolutely nothing like it. It’s hard to imagine it happening in any year besides 1997, and also it’s hard to imagine it happening in 1997. But it happened. I was there.

I mean I wasn’t in the magical world of Tao where it takes place, or on the soundstage in Beijing where it was filmed, but as a BRIDE WITH WHITE HAIR devotee at the time I did pay to see WARRIORS in the theater, and I’ve been fascinated by it ever since.

It’s the story of ordinary American kid Ryan Jeffers (Mario Yedidia, JACK), and it’s one of those depictions of youth that seems like it was concocted by a 150 year old who lives in a containment unit on Mars but has read some old magazine articles and thinks he has a pretty good idea what life must be like for the kids these days. To this guy it makes sense to open the movie with a dog dropping toast through a window to Ryan as he excitedly reads a stack of comic books in the bathroom. (read the rest of this shit…)

The Bride With White Hair 2

Thursday, April 13th, 2023

THE BRIDE WITH WHITE HAIR 2 (1993) is directed by part 1 editor/co-writer David Wu, with Ronny Yu as producer and co-writer. I guess since he’s the editor Wu throws in a bunch of quick flashbacks (sometimes to new backstory, but mostly to the first movie, even though this came out around four months after the first one so anyone who’d seen it probly remembered). This story takes place at about the time of part 1’s flash-forward prologue, when Master Cho (Leslie Cheung, ONCE A THIEF) has been freezing his ass off sitting on a mountain for ten god damn years waiting for a flower to blossom and/or for his ex turned evil witch Li Ni-Chang (Brigitte Lin, DEADLY MELODY) to come talk to him.

She doesn’t, so he sits out almost the entire movie while a new generation of Wu Tang students deal with “the witch,” who now leads a cult made up entirely of women who have been wronged by men. Our new main character Kit (Sunny Chan) gets in trouble with the Wu Tang elders not for getting in fights and stuff but just for mentioning the name of “that coward” Master Cho. Kit is about to marry his girlfriend Lyre (Joey Maan, CENTURY OF THE DRAGON) when Ni-Chang flies in, kills some people with her hair, and abducts the bride to teach her to “never be so blindly loyal to these heartless men.” She brings her to her cult, where everybody hates men and bangs their swords together rhythmically, which seems pretty fun. Also they dress kinda like Queen Amidala.

(read the rest of this shit…)

The Bride With White Hair

Wednesday, April 12th, 2023

This is the one. THE BRIDE WITH WHITE HAIR is the movie that put Ronny Yu on the map. Or at least mine. This was 1993, back when people like me were first discovering Hong Kong cinema, and martial artists flying around on wires seemed like the greatest discovery since their primary antagonist, gravity. I remember waiting weeks for a widescreen, subtitled VHS I special ordered from Suncoast Motion Picture company in a mall somewhere. I must’ve watched it several times in the ’90s, but when I revisited it for this series it had been so long that I could only recall the look and feel of it, and basically nothing about the story.

The way I remember it, we all agreed back then that this movie was a masterpiece. But here I am 30 years later, and I don’t think the generation of film fans after mine would necessarily know who Ronny Yu was if I asked, or have heard of this movie. It has recently finally come to remastered blu-ray overseas, so a good transfer was on a streaming service for a while, and now can be bought digitally, but when I started writing this series there was only the old Tai Seng DVD – a pretty rough, non-anamorphic transfer. It made me wish I’d saved that tape. Watching it now, of course, it lacks the freshness and novelty it had in 1993, the thrill of a new world opening up to us. We’ve seen this kind of fantastic martial arts world imagined many more times and in much more detail over the last quarter century.

But I think THE BRIDE WITH WHITE HAIR still packs a punch. It’s a short, sweet, and stylish little tragic love story that speaks about good and evil but refuses to paint even its operatic fantasy world in such easily definable categories. And by looking at it as part of this Uncle Sam Wants Yu series I’m able to see it as a culmination of everything the director had been working on up to that point. (read the rest of this shit…)

Fist of the Condor

Tuesday, April 11th, 2023

FIST OF THE CONDOR (El Puño del Cóndor), available now on the Hi-YAH! streaming network,* is the long-awaited (by me at least) reunion of Chilean martial arts star Marko Zaror (UNDISPUTED III, SAVAGE DOG, JOHN WICK CHAPTER 4) and writer/director Ernesto Díaz Espinoza. They came up together making KILTRO, MIRAGEMAN and MANDRILL, but this is their first together since REDEEMER in 2014. From the looks of it they spent that time training, meditating, and learning powerful secret techniques.

I loved this movie, and I think it follows the established Zaror/Diaz Espinoza pattern of being even better than the last one, but I have exactly one (1) caveat: I wish I’d remembered that the first trailer called it FIST OF THE CONDOR: PART ONE. It felt kinda like if I’d watched KILL BILL VOLUME 1 thinking it was the whole thing and expecting her to cross all the names off her list. When it ended I had to do a double take, rewind and watch the last scene again to get my bearings. But I understand it now. (read the rest of this shit…)

Rapid Fire

Monday, April 3rd, 2023

Occasionally during this Ronny Yu series I will go on tangents about films that are not directed by Ronny Yu, but are related to the topic at hand. I’ve been meaning to revisit my maybe-favorite-Brandon-Lee movie RAPID FIRE for years, and thought it would fit in well here. To be honest I forgot that I already reviewed it in 2009, but that’s okay, this is a better review. It was worth a reboot.

Lee followed his movie debut in LEGACY OF RAGE with LASER MISSION (1989) and SHOWDOWN IN LITTLE TOKYO (1991), but it was the Yu film that attracted the atttention of producer Robert Lawrence (A KISS BEFORE DYING) and made him want to find a vehicle to turn Lee into a huge American action star.

As I referenced in the LEGACY OF RAGE review, the Metrograph theater did an interview with Ronny Yu where he said of Lee, “He was 19 when I met him. He was wearing a leather jacket, leather boots, riding a bike, he was very rebellious,” and “He said, ‘I hate martial arts. I hate it. And don’t talk, don’t even mention Bruce Lee to me!’”

Years later in RAPID FIRE (1992), Lee’s character Jake Lo is introduced wearing a leather jacket, leather boots, riding a bike, looking very rebellious. An art major at a college in L.A., he pulls up to campus during a demonstration for democracy in China. Seeing the protest signs causes him to flash back to the historic events at Tiananmen Square, where he saw his dad (Michael Chong, TO LIVE AND DIE IN L.A.) killed by soldiers. According to RAPID FIRE’s entry in the AFI Catalog, “Lee was involved in the development of the story, and a key element that resonated with the actor was his character’s struggle to deal with his father’s death, which mirrored Lee’s personal life.” (read the rest of this shit…)

Legacy of Rage

Thursday, March 30th, 2023

LEGACY OF RAGE (1986) is Ronny Yu’s Hong Kong action movie that’s in a crime/martial arts type vein, written by Clifton Ko (ONCE A THIEF) and Raymond Fung (later art director of Yu’s CHINA WHITE). It’s also the first starring role for then-21-year-old Brandon Lee, following his father’s path from American television (he was in KUNG FU: THE MOVIE) to Hong Kong cinema. Of course, we can also draw a parallel to Yu’s travels between Hong Kong and the U.S., which is part of the reason producers Linda Kuk (HARD BOILED) and John Sham (YES, MADAM!, ROYAL WARRIORS) thought they might work well together.

But Lee’s character Brandon Ma is not specified to be an immigrant, and I think his mouth movements are Cantonese (though both that and the English soundtrack seem to be dubbed by someone else). I was nervous when the opening had some nerd rollerskating through traffic listening to a Walkman, but luckily that’s just some drug courier and not Brandon. He gets a much more macho introduction controlling the machine that lifts and smashes cars at a junkyard.

This Brandon is a good-hearted guy – when his girlfriend May (Regina Kent, A BETTER TOMORROW 2) is angry at him for being late he doesn’t even bother to explain that he was delayed by heroically carrying a toddler to the next bus stop after she was left behind by her mother. That’s just the kinda shit he does, so it wasn’t even worth mentioning.

Brandon and May work together at a hotel restaurant called Casablanca, as a waiter and a dancer, respectively. Is the junkyard demolition thing part time? I’m not sure, it’s not mentioned again. Other than maybe having two jobs, you could call him a slacker – he sleeps on a mattress with no bed frame and has two posters of motorcycles on his walls – but he gives May a ring, which I think indicates engagement. (read the rest of this shit…)

Furies

Tuesday, March 28th, 2023

FURIES (Thanh Sói) is a great new Vietnamese action movie on Netflix as of last Thursday, and it’s a prequel to FURIE (2019). On one hand I want to be clear that not having seen FURIE would hardly affect your viewing of FURIES – it’s just an origin story for one of the supporting characters, and you don’t even know for sure which one until the end (it’s kinda like LEATHERFACE in that sense). On the other hand, FURIE is fuckin great, so you should definitely watch it. But I really don’t think the order matters.

FURIE starred Ngô Thanh Vân a.k.a. Veronica Ngo in a knockout performance as a rural debt collector who has to venture into the city when her daughter is kidnapped – and it turns out that when her daughter was born she ran from a life there as a gangster, which is why she knows the ins and outs of this underworld, as well as how to kick 75 different types of ass. For FURIES, Ngo takes over as director, as well as having a supporting role in the movie. As a totally different character! It’s weird. (read the rest of this shit…)