Archive for the ‘Horror’ Category

Aliens

Friday, July 27th, 2007

I’ve seen this movie many times over many years, and I’m sure you have too. I don’t think I need to try to convince anybody to like ALIENS. Asking somebody if they like ALIENS is like asking them if they like pizza or ice cream. You can assume the answer is “yes” and if not it’s just some weird quirk that person has, you can’t really make much of it.

But having noticed signs that the BIG FUCKIN SUMMER BLOCKBUSTER POPCORN MOVIE may be ailing here in 2007 I decided to get nostalgic and watch T2 (theatrical cut, back to ‘91) and I had such a good time with that I thought, jesus, where do I go from here? Is there anything that big and yet at the same time that good? I wasn’t sure but I did know of one other James Cameron part 2 that I like even better and that of course is ALIENS. So I watched the theatrical cut of that too.

ALIENS is the perfect sequel to a perfect original. I always say I like ALIEN better, but that’s just a matter of personal taste and maybe the unavoidable fact that it came first. But I don’t really think one is better or worse than the other. Both are as good as they ever made ‘em.

Looking at it just as a sequel it’s incredible, one of the best ever, so much so that references to ALIENS are the number one shorthand for a sequel that builds on everything that was great about the original and takes it to a new level. Every director of a part 2 now days seems to say he’s trying to make ALIENS to the first movie’s ALIEN. Here is a movie that takes the main character, the world and the premise of the original and expands on them, takes them in new directions, elaborates on them, even puts them in a different genre. Ripley becomes a warrior but also a mother. Her working class job is over so she gets another one using a robot to load crates. We see the same planet again but also the boring space station where people live, and what life is like for the military (now part of a corporation). Instead of repeating the same horror movie structure it goes into an action movie structure. Before it was one alien sneaking around a ship, now it’s a platoon trapped in hostile territory. Instead of just using the same monster – or just multiplying it into a group of monsters – they also expand on the life cycle of the monsters and introduce the Alien Queen. (more…)

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Piranha Part Two: The Spawning

Monday, July 23rd, 2007

After watching the TERMINATOR movies for the first time in years I was so excited about James Cameron I decided I should go back and re-watch the Cameron movies I didn’t like, see if maybe my perspective has changed. Maybe there was some magic there I just wasn’t picking up on.

So of course I had to go back to the beginning, the smash debut, the one that started it all for director James Cameron. Orson Welles started out with CITIZEN KANE, James Cameron started out with PIRANHA PART TWO THE SPAWNING. What can you say, man, it was a different era.

It’s always mildly amusing to remind everybody that an oscar winning director started out making a b-movie sequel about flying killer fish, but honestly I’m just being a smartass, I actually think that’s cool. It’s something to be proud of, especially if you can later look back and see how that movie connects to their later ones, which is the case here. I saw this one a long time ago and I don’t remember thinking it was very interesting, but I changed my mind this time. In my opinion it’s actually kind of good. Seriously. No joke. The original PIRANHA is a little better because the premise lends itself better to the kind of dry humor that Joe Dante and John Sayles were going for than for actual drama. Early on there’s some painfully broad comedy and cheesy ’80s moments. There’s a stereotypical Jewish lady picking up a POLICE ACADEMY style nerd, there’s a “cool” ’80s girl rocking out on headphones, the precursor to Sarah Connor’s roommate in THE TERMINATOR. But it quickly settles in to a more serious James Camerony type of movie. Except with no money and it’s about flying super-piranhas.

Of course to guys like me James Cameron is important because of ALIENS and the TERMINATOR movies. And then it seemed like we lost him forever when he directed TITANIC and spent the next ten years pissing away his talents analyzing submarines and shipwrecks. But then I go back and watch this again and finally make the connection that he’s been obsessed with that deep sea shit since the first scene of his first movie. The best way to explain the marriage between James Cameron and PIRANHA is to say that P2 starts out with scuba divers going into a shipwreck to screw. Any director could figure out a way for a couple to screw in the woods or in a car or an evil hotel or an abandoned building or some haunted bushes, but only an elite few director/scuba divers would have an underwater sex/death scene. And James Cameron is the king of that world. (more…)

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28 Weeks Later

Tuesday, July 17th, 2007

I never did write a real review of the popular Danny Boyle picture 28 DAYS LATER, just a little blurb in a summer recap column. To make a short story stay short, I liked it but did not understand the hooplah. It seemed to me most of it had already been done in Romero’s movies, and I liked it better when it was a real movie instead of a home video. So I was kind of annoyed by all the hype at the time that Boyle had “reinvented the zombie movie.” Even the controversial running zombies were straight out of RETURN OF THE LIVING DEAD. Somebody give Dan O’Bannon some credit. When he did that in 1985 it was a clever new take on zombies.

But I gotta tread carefully here because there are people out there who will flip out if you use the word “zombie” to describe the zombie-like people doing zombie things in this movie that is clearly based on the zombie films of George Romero. Zombies, it turns out, are people who die and then come back to life as zombies. They are not people who are infected and become zombies, unless they are infected to the point of death and then become zombies. In the case of these movies they just get infected, they do not necessarily die as far as we know, so they are something else. Nobody knows what it’s called, but it’s not a zombie. It’s just some thing that is exactly like a zombie and has every quality associated with zombies, but you can’t call it a zombie, that’s like using the N word almost. So I apologize to all the things who are not zombies but are exactly like zombies in all respects but they have not died and therefore are not zombies that I offended in my previous blurb. I will be more sensitive this time.

(By the way, you zealots on this issue better go after the supposedly fact-based book and movie SERPENT AND THE RAINBOW, since they argue that real life Haitian zombies are people who have been given a poison that slows down their heart rate to make them appear dead, then they come back as zombies. They have not technically died and yet they are using the word zombie, you better make some signs and get down there.) (more…)

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Who Can Kill a Child?

Sunday, June 24th, 2007

Ever since I reviewed the TEXAS CHAIN SAW MASSACRE ULTIMATE EDITION I’ve been getting screeners in the mail from MPI Home Video. It’s awfully nice of them but I can’t really review all of them, because they’re mostly stuff like THE DORIS DAY SHOW SEASON 4 or a ten hour documentary about the ’70s or COMIC LEGENDS: PHYLLIS DILLER. But they do send me stuff from their Dark Sky label, the same guys who did the CHAIN SAW dvd. And these guys put out good stuff, lots of weird European horror and action movies, mostly things I never heard of. You know, one of these boutique labels that’s like a DJ, always digging to find some weird gem you didn’t know about. I know alot of people have sunk themselves financially by finding and restoring these old obscurities so I have alot of gratitude to the people who do it. Takin one for the team (the team being a metaphor for the human race in this case).

One thing Dark Sky does is a “Drive-In Double Feature” series (SEARCH AND DESTROY and THE GLOVE comes out this Tuesday) that’s the same concept as GRINDHOUSE but for real: two movies with vintage drive-in intros and trailers in between. Good stuff. Another release this week is THE LAST HUNTER which is a 1980 Vietnam War movie made by Italian exploitation director Antonio Margheriti. It’s kind of trying to be like THE DEER HUNTER but it has more explosions, intestines and funky music. And it’s dubbed. So it’s pretty different.

The standout of their new releases is WHO CAN KILL A CHILD?. Now, I know what you’re thinking. “I watch Fox all the time – how come I never seen this show?” But it’s not actually a new reality show, it’s a 1976 Spanish horror film.

I heard of this one before but I didn’t know what it was about. I was always spooked by that title. I like to say it in a quivering voice of outrage, like WHO can kill a CHILD?! WHO?! LOOK AT ME WHEN I’M TALKING TO YOU! (more…)

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The Glove

Saturday, June 23rd, 2007

Like I mentioned in my review of WHO CAN KILL A CHILD? that should be running on The Ain’t It Cool News soon, I’m on the mailing list for this Dark Sky DVD label. So I get all these nicely packaged Italian horror obscurities and what not, and to be honest I haven’t watched most of them yet. I loan them to my horror watcher friends and hope they’ll tell me I got a must-see there. But that doesn’t usually happen.

For the batch that comes out this week though I found time to watch them and I was impressed. The one I had the highest hopes for was WHO CAN KILL A CHILD? which is a creepy sun-drenched Spanish horror movie in the vein of VILLAGE OF THE DAMNED. But I already heard that one was good before, so a more impressive find is THE GLOVE, the b-picture in their latest “DRIVE-IN DOUBLE FEATURE” along with SEARCH AND DESTROY.

They’ve been doing this series for a while with basically the same concept as G’HOUSE, they put two old drive-in appropriate movies together as a double feature and they include vintage theater promos and trailers. SEARCH AND DESTROY seemed pretty cool, I didn’t really get into it but I’ll have to go back and pay more attention next time. THE GLOVE, though – this one is a winner.

The movie opens with a black on red graphic of the titular glove, accompanied by a theme song all about this glove and how fearsome it is. Then we see a sleazy prison guard leaving work with his mistress. Suddenly he’s ambushed by THE GLOVE, which happens to be worn by Rosey Grier.

I’d never talked to anybody who knew of this movie before, but I’d admired the VHS cover. If you’ve seen that you sort of know what the Glove looks like, but the cover exaggerates it. On there he looks like some comic book super villain, a guy who could beat Darth Vader in a bar brawl. And he’s got two gloves – in the movie he only has one, like Michael. In that painting it has spikes on it, his chest guard looks like samurai armour and the helmet makes him look like a robot. In the movie it’s riot gear, it’s not from outer space. But it is Rosey Grier wearing it, so it’s pretty menacing. (more…)

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Saw, Saw II and Saw III

Monday, June 18th, 2007

SAW

Usually I’m on top of the popular horror movies, especially if and when they get to the part 3 mark. But until now I never bothered with SAW. I know there was a pretty good buzz on that first one, but I just wasn’t buyin it. I had seen that fuckin puppet on the TV ads and I wasn’t so sure about a killer with an evil puppet. Evil puppets in horror should always be alive, like Chucky. A killer who plays with a normal, inanimate puppet – that’s just silly.

Plus, I read some essay years ago that referred to TEXAS CHAINSAW MASSACRE PART 2 as ‘SAW 2, and since it takes a while to type out TEXAS CHAINSAW MASSACRE PART 2, and since that movie tends to come up alot for a guy like me, I started to use that nickname. Me and that movie are tight, we call each other by nicknames. It calls me V and I call it ‘SAW 2. Until now, because now there’s a SAW and a SAW 2. These movies interfered with my relationship with TEXAS CHAINSAW MASSACRE PART 2. So I sort of resent them for that.

But yesterday I was working up a piece on this whole “torture porn” debate. As you know I think people who use that term generally don’t know what they’re talking about. But then I realized I really didn’t know what I was talking about either unless I watched these SAW movies, since those are the movies people are talking about half the time when they use the TP word. I wanted to really understand so that’s how I got in this predicament of watching three SAW movies in one 24 hour period, taking breaks to write about them.

I didn’t like SAW. I thought it kind of sucked. But I guess I can see why it’s popular. The premise and the structure are pretty clever. It begins with a guy waking up in a bath tub in the middle of some carefully dirtified warehouse somewhere. He’s chained to a wall, Cary Elwes is chained to the other wall, a guy with his head blown off is laying in the middle of the floor, nobody remembers how they got there. (more…)

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Stone Cold (DVD)

Tuesday, June 12th, 2007

Ladies and gentlemen, the day has come. The eagle has landed. Brian Bosworth’s 1991 film debut STONE COLD is finally available on Region 1 DVD. We’re through the looking glass, people.

As a DVD this is kind of a bust. There isn’t even a trailer on the thing. They did spring for interactive menus, that’s about it. They even labeled the disc wrong, the widescreen is actually on the standard side and vice versa. The movie is about a biker gang, but the cover seems designed to make it look like a current DTV espionage thriller – there’s not a single motorcycle pictured on the front or back.

But you know what, even that can’t stop STONE COLD. I’ve been recommending this movie to people for a while now but it was only on VHS so it got tricky. As of this week they will find it in finer movie stores and gas stations for around ten or fifteen bucks. What a year for DVD, man. First HOLY MOUNTAIN, now STONE COLD.

Let me be clear: this is a cheesy action movie. This is not a legit classic like DIE HARD. This is more along the lines of a ROADHOUSE, a really ridiculous movie where you start out watching it because it’s goofy but by the end, whether you have the balls to admit it or not, you know deep down in your soul that the movie kicked your ass. You pointed at it, you laughed at it, but it turned the tables and defeated you fair and square. If you have any sense of sportsmanship you will admit that this movie is awesome. Even if it was kicked off of its college team for using steroids. (more…)

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Hostel: Part II

Saturday, June 9th, 2007

aka DAVE POLAND’S HOSTILE 2

NOTE: I started writing this review but I realized between actually reviewing the movie and once again responding to the response to the movie, the thing was just too god damn long. So I figured if I split the two topics into two separate columns nobody would notice that it was too long. But then I felt bad about trying to deceive you like that so I admitted that that was what I was doing. But you found it admirable that I treated you as a mature adult so you read the two columns willingly and did not feel they were too long. It was awesome. (more…)

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The Wicker Man (2006)

Friday, May 18th, 2007

When I read that the unrated DVD of THE WICKER MAN REMAKE has a SHOCKING ALTERNATE ENDING!, I was a little confused. Because if you’ve ever seen the original, good version of THE WICKER MAN you know this can only SPOILER end one way: an outdoor barbecue featuring Nic Cage in a central role. What could the SHOCKING ALTERNATE ENDING be? He doesn’t get burned alive?

The movie is a pointless and weird re-jiggering of the original. It’s not really the crazed spectacle I was hoping for, at least not from beginning to end. If you’ve seen the original you know where it’s going, and it’s not all that exciting to see him wander around a weird farm colony island looking for this missing girl and getting frustrated that nobody is cooperating. But oh boy does it have its moments.

I heard this movie was completely misogynistic, but I’m undecided on that one. Sommerisle in this version is a matriarchy with Ellen Burstyn in place of Christopher Lee. They are all intimidated by the male presence of Nic Cage and he’s freaked out by them. He gets stuck in a well and probaly other vaginal symbols that I’ve forgotten. Most of the characters in the movie are women and they’re all evil except for a nice lady cop at the beginning (this movie’s equivalent of a Tony Shalhoub token good guy Arab character). It definitely plays out like a woman-hater’s paranoid fantasy, but there are some signs that it might just be a big joke on gender relations. Cage is frustratingly lax about asking the women to explain what’s going on, but then whenever he does he interupts them and doesn’t listen to what they’re saying at all. He’s also pretty belligerent, yelling at people sometimes for no reason, tearing off kids masks, and when he goes into a classroom he thinks nothing of erasing a chalkboard covered in meticulous notes just to write down one name that he has already said out loud. (more…)

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Behind the Mask: The Rise of Leslie Vernon

Saturday, April 21st, 2007

Ever since this movie played some film festivals it has gotten great reviews, especially here on the internet where people tend to fall for this sort of shit. Of course you know I am a fan of the horrors and it’s always good to see somebody try a different approach, so I was hoping they were right. But one thing I noticed was every review I read would explain the premise, which sounded like a stupid idea that would never work. But at no point did any of the reviews say, “I know, this sounds like a stupid idea that would never work, but somehow they managed to pull it off.” Instead they talked about this idea like it was a good idea. A really good idea.

Here is the stupid idea that would never work: BEHIND THE MASK is done in a fake documentary style (or fakeumentary). It takes place in a world where the iconic killers of horror movies (Freddy, Jason, Michael Meyers and Chucky are specifically mentioned) are all real. A grad student who looks kind of like Sarah Polley is doing a documentary about a guy who calls himself Leslie Vernon, a guy who is an aspiring slasher. And he explains to the camera his whole made up horror backstory, how he picks out his victims and what he plans to do with them, all of course based on the formulas of slasher movies. And there is lots of jokes about how he has to work out alot to be able to chase people while it seems like he’s just walking, and corny shit like that. So it plays off of all these archetypes or cliches and then at the end it switches from documentary to “real movie” as he tries to kill his victims in scenes inspired by FRIDAY THE 13TH 2 and 3 (the Steve Miner years). And according to the vast majority of the critics, who really liked this movie, it gets genuinely scary at this point.

Well I beg to differ, although the “scary” part at the end is at least closer to pulling off its goal than the “funny” part. I’m pretty sure it’s supposed to be funny because the main guy, Leslie Vernon, who looks like Sean William Scott without the muscles, clearly thinks he’s being funny the whole time. Nice try dude. (more…)

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