"KEEP BUSTIN'."

Archive for the ‘Comedy/Laffs’ Category

The 51st State (a.k.a. Formula 51)

Tuesday, April 25th, 2023

“THE 51ST STATE is very dear to me, because it was the first time in Hollywood that I didn’t have to deal with dolls.” –Ronny Yu, 2004

Three years after the unlikely career milestone of BRIDE OF CHUCKY, Ronny Yu made easily the weakest of his English-language films – a UK-Canada co-production called THE 51ST STATE, but we call it FORMULA 51 here so people don’t think it refers to DC statehood. (Actually I’m not totally clear what it does refer to. But the number 51 is in the name of a super-drug that’s central to the plot.)

Under any name it’s a thoroughly 2001 film, with wall-to-wall dated music (score by somebody called Headrillaz), annoying whooshes and flash cuts, character names and descriptions written on screen as they’re introduced, a long scene at a rave type dance club, and two stars – Samuel L. Jackson and Robert Carlyle – who had ridden the ‘90s indie wave to the specific level of commercial viability where they could be cast in stuff like this. It’s one of a handful of movies, along with THE NEGOTIATOR and SHAFT, that could arguably be considered a straight up Samuel L. Jackson vehicle. But even though it starts and ends with him he’s kind of a mysterious, unexplained character, while co-star Carlyle gets to have the love story and sex scene. (read the rest of this shit…)

Bride of Chucky

Monday, April 24th, 2023

Now, at last, we come to perhaps the key moment in this entire Ronny Yu retrospective. After years in the trenches of the Hong Kong film industry, having gained acclaim worldwide for painterly, operatic martial arts fantasies, and having made his American debut earnestly combining that style with a goofy children’s movie, Yu got a high profile Hollywood gig that seemed to many at the time like it was completely random. How the fuck does the director of THE BRIDE WITH WHITE HAIR end up helming part 4 in an American slasher series, reviving it after seven dormant years, and taking it on an intentionally eyebrow-raising tonal swerve into oddball comedy? Did they just think of him because the word “Bride” was in the title?

As the entry that first turned the CHILD’S PLAY series into more of a comedy, BRIDE OF CHUCKY (1998) is a cult favorite in its own right, and therefore became arguably Yu’s most widely known film in the West, even if many don’t necessarily know or remember that he directed it. But I’m here to argue that even though this isn’t Yu’s most representative film it does have his stamp on it, and very much fits into his filmography. (read the rest of this shit…)

Shogun and Little Kitchen

Monday, April 10th, 2023

SHOGUN AND LITTLE KITCHEN is Ronny Yu’s 1992 comedy about the residents of an old apartment building called Peace Avenue, possibly “the poorest place in Hong Kong.” Uncle Bo (Ng Man-tat, LEGACY OF RAGE, A BETTER TOMORROW 2, SHAOLIN SOCCER) is the owner, and he acts grouchy, but he loves them all like family. It’s kind of a shithole – the air conditioner will explode if you turn it on – but it’s good people. There’s a market right outside, people selling soup and sharpening knives and stuff, so there’s all kinds of activity, it’s a whole community. Somebody’s trying to buy the building for $10 million, but Bo won’t sell it because it has sentimental value. It belonged to his late wife. You don’t give your late wife’s building to some rich developer asshole. Or at least you shouldn’t. (read the rest of this shit…)

Great Pretenders

Thursday, April 6th, 2023

GREAT PRETENDERS a.k.a. THE GREAT PRETENDERS is from 1991, and it’s Ronny Yu’s con man comedy. It stars the great Tony Leung (a year before HARD BOILED) in a much broader role than what we normally associate him with. The type of comedy where he’s running around waving his arms. His character has a shaved head to wear different wigs, and there’s a whole sequence about him putting the wig on the wrong way and looking ridiculous, plus a montage of trying on a bunch of other wigs. Strangely, when he pretends to have a mohawk later on it uses a very obvious bald cap. I don’t know if that was a matter of his hair growing out or not wanting to glue the mohawk on, but it’s hard to accept people believing it’s his real hair. Not that it matters in a movie like this.

His character is named Snake Wai (alias “Tony Leung”), and he’s a conman running small time scams on the street. It’s the type of movie where you follow him and hopefully are charmed by him even as he’s lying to everybody, but you won’t feel too bad about it either way because most of the time everybody’s actually in on it or secretly playing their own angle. (read the rest of this shit…)

Bless This House

Tuesday, April 4th, 2023

Another Ronny Yu haunted house comedy, but without Chow Yun Fat? I don’t know, guys. In 1988, four years after THE OCCUPANT, Yu returned to his old haunt (that’s a pun) with BLESS THIS HOUSE. Fortunately by this time, when there were seven FRIDAY THE 13THs, four ELM STREETs and the first CHILD’S PLAY in existence, Yu had had a little more experience under his belt and was able to make something a little more accomplished than before, a little more stylish.

This one is about an architect named Bill (Bill Tung, reuniting with Yu after MUMMY DEAREST) who gets a promotion that allows him to move his family into a fancy house owned by the boss. He doesn’t catch on that it’s actually a punishment – the fuckin place is haunted as shit!

Of course the movie makes a point of Bill not being superstitious before he goes through this experience. He gets into trouble for disagreeing with his firm considering feng shui in their designs. His daughter Jane (Loletta Lee, THE DRAGON FROM RUSSIA, SEX & ZEN II) is more open to it and wonders if she should believe the “madman” from the nearby temple who keeps giving them the friendly advice that they should get the fuck out of there. (read the rest of this shit…)

Mummy Dearest

Wednesday, March 29th, 2023

MUMMY DEAREST (Si yan zai) is from 1985, and it’s another one of the Ronny Yu movies that’s never been available in the U.S. I had initially skipped it while writing this series until I found an affordable English-subtitled VCD. The bad news is it’s not about a mummy, the good news is it’s pretty entertaining. It kind of takes the serious horror + broad comedy formula of THE TRAIL and THE OCCUPANT but switches out supernatural chills for a serial killer story, with a maniac similar to the one in THE SAVIOUR.

The killer is played by Alan Tam (ARMOUR OF GOD), which I think may have been a bit of stunt casting. Maybe I’m wrong, I can’t find out enough about his early filmography to be sure he’d never played a psycho before, but he had started as a Cantopop star, known for singing romantic ballads. There’s even a joke about it in the movie when another character uses the titles of Alan Tam songs to hit on his character’s mother. (read the rest of this shit…)

The Occupant

Thursday, March 23rd, 2023

THE TRAIL was far from Ronny Yu’s only attempt at mixing sincere supernatural horror with silly comedy. THE OCCUPANT (1984) is a ghost tale that takes its tragic backstory seriously, but the movie centers on a goofy love triangle, and one of the three leads is a broadly comedic nerd character named Hansom Wong (Bak-Ming Wong, MAD MISSION, LETHAL PANTHER, also a writer, producer and director).

Like Yu himself, Angie (Sally Yeh, PEKING OPERA BLUES, THE KILLER) is a world traveler – she’s from Vancouver, visiting Hong Kong for three weeks to work on her thesis about Chinese superstition. Hansom is a… used car salesman/property manager/random weirdo?… who sees her trying to find an apartment, latches onto her and “helps” her in exaggeratedly-sexual-harassy ways. He invites himself in, makes excuses not to leave, asks if he can take a shower, suggests that he should run around the apartment naked to scare away potential ghosts. I don’t know if that’s a cultural thing or a Hansom Wong thing. (He also claims to be an expert on the supernatural.)
(read the rest of this shit…)

The Trail

Wednesday, March 22nd, 2023

One of the main reasons to do a Ronny Yu career retrospective is to see how the hell this great Hong Kong director ended up in another part of the world making (SPOILER FOR THIS REVIEW SERIES) BRIDE OF CHUCKY and FREDDY VS. JASON, so it’s relevant that as early as 1983 (at which point there were only three Jason movies, zero Freddys, and zero Chuckys) he was already doing horror movies. Funny ones, too. THE TRAIL is Ronny Yu’s fourth film, never available in the U.S. as far as I can tell, so at first I thought I wouldn’t be able to see it. But I discovered I could order a Region 3 DVD that Fortune Star released in 2010, and there’s also a blu-ray out there. That’s good news, because I really enjoyed this one.

Horror comedies will end up being a big chunk of Yu’s career, but he’ll mostly set them in the present. This one takes place in 1922, in what seems to be a transitional period between old traditions and the modern world. (I guess that describes most period pieces, in a way.) It’s the story of Ying (Ricky Hui, MR. VAMPIRE) and Captain (Kent Cheng, ONCE UPON A TIME IN CHINA, IP MAN 2 and 3), two conmen impersonating Taoist priests transporting corpses. (read the rest of this shit…)

House Party (2023)

Monday, March 13th, 2023

You wanna know how old the movie HOUSE PARTY is, and therefore how old those of us who grew up with that movie are? Well, let’s just say that I did a 20th anniversary retrospective on it thirteen years ago. So you can go ahead and do the math if you want. Personally, I refuse.

It’s not something I would put in, like, my top 100, but it’s a fun and sweet movie and a good time capsule of pop culture as it existed when I was a teen. I had a great time back in 2010 doing a quasi-pretentious review series called Kid ’n Play: 20 Years On Film: A Cinematic Legacy, in which I reviewed the original HOUSE PARTY (1990), HOUSE PARTY 2 (1991), BEBE’S KIDS (1992) (created by House Party dad Robin Harris and written by House Party writer/director Reginald Hudlin), CLASS ACT (1992) (starring Kid ’n Play), WHO’S THE MAN? (1993) (cameo by Kid ’n Play), HOUSE PARTY 3 (1994), and HOUSE PARTY 4: DOWN TO THE LAST MINUTE (2001). Then in 2013 I reviewed a new one called HOUSE PARTY: TONIGHT’S THE NIGHT. Obviously I’m a completist, so it is my duty and honor to review the 2023 addition to the franchise, which is called HOUSE PARTY. (read the rest of this shit…)

Cocaine Bear

Tuesday, February 28th, 2023

COCAINE BEAR is a kind of funny new horror comedy written by Jimmy Warden (THE BABYSITTER: KILLER QUEEN) and directed by Elizabeth Banks (Rita Repulsa in the POWER RANGERS movie). I kind of enjoyed it and I’m certainly on board for this type of movie – pretty gory, not serious about anything, spending $35 million of Universal Pictures’ money to get very good bear animation FX in what is otherwise kind of on the level of a PIRANHA or ALLIGATOR sequel.

It’s just a silly goof with a simple nature-gone-amuck premise: a drug smuggling plane dumps its payload in the Chattahoochee National Forest, a black bear finds and eats some of the cocaine, now she’s angrily rampaging around eating tourists and the people searching for the other bags. And she’ll do anything to get more of that stuff. Fiending for it like a bear to honey. (read the rest of this shit…)