Archive for the ‘Comedy/Laffs’ Category

The Old Dark House

Saturday, January 1st, 2005

As you know I like to watch the classics but the only way to tell for sure if it is a classic is based on what channel it is on. This one was on American Movie Classics so that’s how I know. If it was on TBS or especially USA that would be another story. Anyway it is an old one from James Whale the director of Frankenstein.

Boris Karloff from the Frankenstein gets top billing but let’s be honest here, he’s playing a mute butler for christ’s sake. This is not a starring role it is strictly a gimp role in my opinion. I mean I know for a fact the man can talk, and can talk well. But you wouldn’t know it the way he’s typecasted in some of these pictures. Here he’s just a big oafish brute who gets drunk and tries to grab the pretty ladies. He looks like they left the Frankenstein makeup on him and pasted a beard over it the poor bastard.

Charles Laughton the famous hunchback is also in it playing a jolly gay guy (and by gay I do not mean jolly, that would be stupid to say that, it would be like he plays a jolly jolly guy. What I mean is he is gay or homosexual). Gloria Stuart is one of the two pretty young gals in the picture. She strips down to her antique undies at one point so if you liked her in the titanic movie, get ready to hit pause. (more…)

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Nurse Betty

Saturday, January 1st, 2005

(released overseas as Soapdish 2000)

There has been alot of “buzz” and “Juice” as well as “acclaim” surrounding this picture. So, retard that I am, I decided to go see it BEFORE this week’s Badass release, Way of the Gun. I would like to apologize right now for my lapse in judgement and lack of support for the Badass movement. What in fuck’s name was I thinking. I must have been suffering from temporary trauma induced delusions like the gal of the title.

There are many surprises in the picture. For example, Betty is not really a nurse. I mean you go see a movie called Nurse Betty, you expect AT THE VERY LEAST this Betty gal is a nurse. But no, she is a waitress who wants to be a nurse, and is obsessed with a doctor on this one soap opera. Then Chris Rock and Morgan Freeman kill her fuckwad husband right in front of her, and she goes wacko and goes across the country thinking she has to reunite with her “ex-fiancee”, the fictional doctor from the soap opera. So Morgan and Chris follow her around and then she meets the actor who plays the doctor.

But get this, when she calls him by his character name and introduces herself as his ex-fiancee, he doesn’t know she is an obsessed fan, he thinks she is an aspiring actress doing an improv exercise with him. So the motherfucker hires her for the show!

So okay, there is alot of funny scenes in there, and at least one dramatic one. But I still couldn’t help but feel a little betrayed by the critical Cinematical type community that has been hyping this piece up as the adult sophisticated comedy we have all been waiting for. Yeah, if all you’re comparing it to is the farting movies that eddie and martin did. But this is not exactly the next step in the evolution of the laughter. There was one gal in the back of the theater who kept stomping her feet on the floor she was laughing so hard but I don’t think most people will be able to bust a gut over this one. (more…)

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Ocean’s Twelve

Friday, December 10th, 2004

OCEAN’S 12 is a sequel to OCEAN’S 11 (the 2001 version [not the movie 2001, I am referring to the year 2001, the year the movie OCEAN'S 11 was made {the remake, not the original, that is why I brought up this year thing originally}]) so this will be the sequel to my review of that movie.

It turns out that the eleven do NOT die horribly as I predicted. But their past (the other movie) does catch up with them, and the sequel is all about them doing various heists in order to pay back the money, plus interest, that they stole the first time around. So that means that Ocean’s 11 actually have a net loss across the two pictures. I mean, think about that. That’s terrible! What does that say about the current state of doing a job right? You want to do the impossible, so you bring in 11 of the greatest experts from around the world, you pull it off, you win back your ex-wife, and you have a fun time doing it. And your reward is horrendous debt and threat of life and limb. That’s how this world rewards you for ambition, talent and dedication.

That’s kind of a bummer in a caper movie where you expect each one to be a bigger and better heist. But it’s nice to be able to have another ending that’s not one of the standard caper movies endings (A: they get away with it and are last seen chilling on a beach somewhere; B: they almost get away but die tragically, probaly ironically.) At the very least this movie will probaly be a big inspiration to those of you with large credit card debts.

As you know from my original O11 review, I was already ready for a sequel. And I always pictured it as a tighter version of 011, maybe a little harder. As much as I enjoyed that movie it was no THE LIMEY or OUT OF SIGHT which are the movies that really told me this Steve Soderbergh was capable of a top notch crime picture. I thought they would follow the same basic formula of Part 11 but with the characters already introduced, they would be able to have a more detailed and realistic look at a heist, maybe some gritty everything-goes-sour type business, who knows. But with the same charismatic cast and bouncy sense of humor and funky David Holmes soundtrack. (more…)

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Seed of Chucky

Friday, November 12th, 2004

Well judging from the low turnout for this picture in its first couple weeks, I might be the only one. But DAMN if I don’t love BRIDE OF CHUCKY. THat was the amazing slasher sequel landmark where the former Hong Kong director Ronny Yu knocked the CHILD’S PLAY series off into a weirdo direction where the killer doll suddenly gets a killer doll wife and it turns into a silly comedy, but with occasional moments of visual poetry courtesy of future oscar winning cinematographist Peter fucking Pau.

Now if you’re like me you remember the very end of BRIDE OF CHUCKY, suddenly a little sharp-toothed baby chucky pops out. It’s like the traditional sudden-jolt-ending used in every horror movie since CARRIE, but at the same time it’s a funny joke because you just KNOW it means we’re gonna get a SON OF CHUCKY some day. Or SEED OF CHUCKY it turns out due to the ambiguous gender of the baby.

SEED OF CHUCKY is the first movie in history to open inside Chucky’s penis, in a computer generated sequence about the actual Seed of Chucky having a go at the Egg of Tiffany, then growing into a baby. Then we skip forward and find the baby at the World Ventriloquism Championships in London. It turns out some random British punk rock fake-ventriloquist found the seed of chucky in the cemetery after BRIDE OF CHUCKY ended. The poor little doll is now living a Charles Dickens style childhood in a cage in London. His name is Shitface and he has the voice of LORD OF THE RINGS hobbit Billy Boyd as he tells us about his sorry existence in a hilarious voiceover.

It turns out the Chucky and Tiffany dolls have been somehow repaired (no explanation needed or offered) and are being used as puppets to star in a movie about their lives. The baby Chucky finds out and journeys to Hollywood where he accidentally does a voodoo spell to resurrect them, and also speaks Japanese to them (long story). (more…)

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My Name Is Modesty and Frankenfish

Thursday, September 9th, 2004

VERN’S VHS PILE

Howdy boys. Well I know Moriarty’s got his DVD shelf that he’s real proud of and he has more DVDs than he will actually live to ever watch, which is good. Always wise to have that shit around to pawn, in my experience. I’m not saying he’s gonna get a whole lot for BASIC, GHOST SHIP, ROLLERBALL, MR. DEEDS, and that kind of crap (yeah, I studied that picture too), but hey, if it buys half a bowl of soup on a cold day it might be worth it. Always save for the future. Anyway I’ve got a couple more reviews of straight to video movies for you so I thought it was time I shared with you something very special. Not to brag or anything but this is Vern’s VHS Pile:

Yep, that’s right, that’s a pile of VHS tapes right there. Most of them are screeners, all of them are an obsolete format, and one of them is even a good movie. Two if you count the headcleaner. I know alot of people will not believe I actually have such a pile, so let me just head you newsies off at the pass and tell you that no, that is not fake, that’s a bonafide 100% real photograph, and all are owned by me, not rented like Ja Rule’s mansion on that episode of CRIBS I read about.

MY NAME IS MODESTY

Well the upcoming pictures I am reviewing today are the two at the top of the pile. We’ll start with what I figured was the most promising, MY NAME IS MODESTY. Or as the box says, QUENTIN TARANTINO PRESENTS MY NAME IS MODESTY.

It took me a minute to figure out what this was, but some of you may remember: a while back Mr. Tarantino was thinking about doing a movie of Modesty Blaise, the pulp heroine from comic strips and novels (I believe John Travolta is reading one of the books on the john when he dies in PULP FICTION). Well obviously he never ended up doing it, and Miramax’s option on the character was about to run out, so they hired Scott Spiegel to do a straight to video about the character’s backstory, to set up the “real” Modesty Blaise movie they might do some day (unless they decide instead to just buy up a bunch of Hong Kong movies and let them sit on the shelf for years).

A popular texas based web sight reported on this story about 2 years ago, when they said that the movie had been shot and the creator of Modesty Blaise was going around implying that he was not too happy about it. Then it sat on the shelf and we all forgot about it.

But there is exactly one way that a dusty old movie can escape the Miramax archives: by convincing Tarantino to put his name on it, even though he didn’t make the movie. If it worked for Jet Li it can work for Modesty Blaise. So just like the HERO trailer, this one tries to get visions of KILL BILL dancing in your head. The screener box mentions revenge twice (even though this is not a revenge movie). On the back it calls Tarantino “The Master of Action Storytelling!” and declares that “WOMEN ACTION HEROES ROCK!” Below that it says:

“-Catwoman………Catwoman

-Kill Bill………The Bride

-X-Men………Storm, Mystique, Rogue

-Daredevil………Elektra

-Die Another Day………Jinx

-MY NAME IS MODESTY………Modesty”

Well, that proves it I guess. This thing is gonna be huge!

Actually I really was hoping for the best. When people talk about Scott Spiegel they always go back to “co-writer of EVIL DEAD 2.” That doesn’t seem to mean much at this point, but the thing is, he already did a straight to video Quentin Tarantino Presents movie that I really liked. For whatever it’s worth, I still think FROM DUSK TILL DAWN PART 2 TEXAS BLOOD MONEY is the greatest achievement to date in straight to video sequeling. It’s not a theatrical level of quality but it’s alot of fun. Great premise, good cast (Danny Trejo, Robert Patrick, Bruce Campbell cameo, Woody Harrelson’s brother) and great sense of over the top cinematics. I mean this is a movie with POV shots inside a bat’s mouth, on a dog doing pushups, on an oscillating fan. For a cheap-o straight to video sequel shot in South Africa to jump out of the tv and kick you in the ass is a pretty impressive stunt. So I figured I could trust this dude to get me again.

The opening credits for MY NAME IS MODESTY had me going too, with a catchy theme song and a montage of action shots and spinning roulette wheels printed in candy colors. It’s a big blast of badass old fashioned energy and then the main problem is, well I think where the trouble starts is when after that the movie starts.

I’m not saying it’s terrible. It’s perfectly okay, I think. It’s just not fun to watch. The story is about Modesty Blaise, who runs the roulette table in a small European gambling establishment. A rival gang comes in, kills her boss and takes everybody hostage. She convinces their leader to play roulette with her. Every time she wins 3 games in a row, he has to let a hostage go. But every time she loses, he gets to ask her questions and she has to tell the truth. (no dares, sorry.) So he just asks her about herself and then she narrates her backstory, which involves being a young war refugee who fights with a stick, steals a car, then learns how to read and names herself. Exciting shit.

I don’t know anything about Modesty Blaise, I haven’t even seen the old movie with Monica Vitti. But I always meant to see it and that’s because I figured it would be, you know, entertaining. I checked a web site and it looks like this new movie stays pretty true to the details of the character’s backstory, but unless those book covers are lying, there seems to be a whole lot more action and thrills in there than in this movie.

Those opening credits promise “A MODESTY BLAISE ADVENTURE” but there’s not all that much adventure since the entire movie takes place either in the one room where they’re holed up or in some dismal Balkan wasteland somewhere in the past. There is no globetrotting or sneaking around or jumping off things. No helicopters blowing up, or even landing. No swinging on ropes, setting up traps, solving mysteries or breaking into museums. Nothing.

Well, there’s one short karate fight at the end, but not a memorable one.

But the biggest problem is there’s no humor at all. Not camp or otherwise. Not even much smiling. There’s an overbearing score that always sounds downbeat. The whole thing is so gloomy. It’s like a pilot for some syndicated show you’ve never heard of that you come across on cable one depressing Saturday afternoon.

The best thing about it besides the credits is Alexandra Staden, the actress who plays Modesty, is pretty good. She has an exotic look with ghostly light blue eyes. If you stretched Maggie Gylenhaal out so she was about 6 inches taller, she would look like this. But they don’t let her be very appealing. She’s always so serious.But I give her the benefit of the doubt. I figure this gal might not be a bad choice to play Modesty Blaise if they make another movie, but good this time.

FRANKENFISH

FRANKENFISH is a movie maybe you haven’t heard of but some of you comic strip fans are gonna shit your pants. I think you already know where I’m going with this. You see this movie marks the long anticipated return of Mark Dippe, director of SPAWN. Remember, it was a movie about a devil guy and there was an evil farting midget clown I believe. And that guy who’s famous for being cut out of KILL BILL, but he was also in EXIT WOUNDS – he was the main dude in SPAWN I believe.

Anyway yeah, big surprise but somehow the director of that movie ends up doing a straight to video movie about a giant mutant fish eating people. I was thinking maybe they would mix it up a little, give us something original like a giant mutant fish that falls in love with a jewel thief or discovers a shocking secret from his past or tries to join a spelling bee or something like that. Instead they just go the eating people route. oh well.

What you got here is basically a bad ripoff of a bad JAWS ripoff, this time updated with the amazingly different twist of its a genetically modified fish. Inspired by the snakehead fish or whatever it was that was in that lake somewhere. You heard the story. In this fictionalized account, there are a couple of giant mutant fish in a lake, and some people also in the lake. They get trapped in one small piece of swamp where almost the entire movie takes place. And they fight against the giant mutant fish. Every once in a while it hops out and eats somebody’s head or something. Towards the end you find out that it was not a product of Nature Gone Amuck or Man’s Hubris or Scientists Playing God. Actually it was one of those Evil Hunters who needed The Ultimate Prey so he created the Frankenfish. Because everybody knows that the ultimate prey is, a, uh, a fish. In the water. For hunting.

Anyway, this is kind of a bummer to admit but this movie is actually incredibly boring. For the first half of the movie they don’t even show the Frankenfish. That would be fine if it was a suspenseful movie with characters and plot. But this is fucking FRANKENFISH from the director of SPAWN. I don’t care if it worked in JAWS, when this movie has a buoy moving around to imply the presence of a large fish below, that’s NOT FUCKING SCARY. I don’t know who they are fooling with these type of movies, they must realize that there is not a single human being on this planet who will ever by scared in any way by this movie. Including kids. So quit pretending. Just show the goofy CGI fish and get it over with. I don’t care if Alfred Hitchcock made things scarier by not actually showing them. That doesn’t apply to fucking FRANKENFISH. The goofy CGI fish in our imagination is not any better/worse/different than the goofy CGI fish we’re gonna see later. So quit beating around the god damn bush.

There are no funny/scary/memorable/above average characters in the movie, although Richard Edson is in it (playing a rasta dude, somehow) and also Mark Boone Jr. from VAMPIRES. I remember Muse Watson (the killer fisherman from the I KNOW ABOUT YOUR LAST SUMMER pictures) was in there at one point but the fish must’ve ate him or something, I don’t know. I watched this shit yesterday, how am I supposed to remember it in that type of detail.

Anyway, I wouldn’t recommend anybody waste their time on this horse shit, but I do have to admit a couple things. Number one, the CGI effects are pretty decent for low budget straight to video crap. Not as good as STARSHIP TROOPERS 2 but way better than BOA VS. PYTHON for sure. There was one part where there was an explosion and they added a person flying out of the fire and into the water. That looked cool and I even rewound it to watch again. So good job computer people who did that shot.

Number B, I gotta admit there are a couple of inspired moments in this one. Like, at least 1, maybe 2 minutes worth of good material. I’m just gonna go ahead and ruin the best part for you so you either don’t have to watch it, or know what to look for if you catch it on cable. See, the giant mutant fish eats a guy’s head, right? And it keeps killing these people. Then it’s going after this one guy and actually jumps up on the dock and wiggles around. But the guy shoots it in the head before it can eat him.

So the guy gets up, walks into a little cabin and turns on a grill. He goes back out with a big knife, slits open the side of the fish, reaches in and pulls out its giant mutant fish heart. Then he brings the heart in, puts it on the grill for a minute. Gives it a couple spins but definitely keeps it pretty raw on the inside. Then he takes the heart and yells something like, “YOU KEELED MY BROTHER, NOW I EAT YOUR HEART!” and does just that, starts eating the heart.

I thought the gimmick was gonna be that the fish is still alive even after his heart has been cooked and eaten, but instead they went for the old “another fish jumps out and eats him” routine. It’s pretty deep though if you think about it. This guy was eating the fish’s heart to avenge his brother, but the fish too had a brother. It’s the same endless cycle of violence that Dr. King spoke about with his “eye for an eye leaves everyone blind” line, and that Shakespeare depicted so vividly in Titus Andronicus. I think alot of our presidents and secretaries of defense and terrorists and what not could learn a little something from FRANKENFISH. And more than that, they deserve to have to sit through it.

[A note for our British friends: it's true that most Americans really aren't too concerned about eating GMOs (genetically modified organisms), so it's not that farfetched that this dude would eat a barely cooked mutant fish heart to show off. It's a cultural thing.]

Anyway thanks everybody I gotta go now, I gotta polish the pile or something. thanks everybody

–Vern

Originally published at Aint-It-Cool-News: http://www.aintitcool.com/display.cgi?id=18307

[ratings]

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800 Bullets

Saturday, June 14th, 2003

Howdy fellas.

Hey man, just finished watching this roughcut of ALIEN VS. FREDDY that I downloaded. Man that movie sucked they even had timecode in the corner. Don’t worry though I won’t be filesharing it, people should be willing to pay to see movies. So I’m just gonna sell burns of it on e-bay.

Ha ha very funny anyway boys I just saw Alex de la Iglesia’s 800 BALAS (800 BULLETS to us) at the Cinerama. I’ve been waiting for this sucker for a while because I really enjoyed DAY OF THE BEAST and DYING OF LAUGHTER and I kind of liked PERDITA DURANGO too. Javier Bardem was such a nightmare in that movie, sporting a horrendous schlong, killing chickens and deciding one day hey, let’s go eat some white people. I was kind of surprised when he turned out to be a sex symbol. Same thing with Benicio del Toro. The ladies love him and the first shot in FEAR AND LOATHING IN LAS VEGAS is him pouring beer on his fat belly.

Anyway I gotta say 800 BULLETS wasn’t really what I was expecting. After the insanity and excess of Mr. de la Iglesia’s previous pictures, the title 800 BULLETS conjured up an over the top bloodbath. But the feel of it is more like a kid’s movie (but one that includes some naked prostitutes and revenge killings). They will have to tone it down a little when they play it on Nickelodeon I guess. (more…)

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Punch-Drunk Love

Friday, November 1st, 2002

This is the new Adam Sandler picture, but instead of being directed by one of his college roommates, this one’s by a real director, “p.t. anderson” (a.k.a. Paul Thomas Anderson, director of HARD EIGHT, BOOGIE NIGHTS and MAGNOLIA). Mr. Anderson – not to be confused with Paul “not Thomas” Anderson, director of RESIDENT EVIL and crap – is one of these virtuoso younger directors that’s so obviously talented that people bend over backwards to prove he’s overrated. Not too many people saw HARD EIGHT but they’ll tell you BOOGIE NIGHTS was a ripoff of Scorsese and MAGNOLIA was a ripoff of Altman and now they’re saying PUNCH DRUNK LOVE is good for an Adam Sandler movie but it’s Anderson’s worst.

Well I’m not sure I agree with that. Sure it’s a little lighter just because it’s not long and it’s got two main characters instead of a whole ensemble. It’s not an epic. It’s smaller than the last two. But it’s his most original, and maybe his most genuine. Now he steps out from the obvious comparisons to other director’s styles and shows you which parts are the p.t. anderson style.

It’ll be funny if people go in expecting THE WATER BOY and get this instead. This is clear in the long, quiet opening scene where Sandler sits by himself in a big garage mostly just drinking coffee and talking on the phone about the regulations of a sweepstakes offer. It’s a less cartoony, much more vivid world than you’ve ever seen Sandler in, but it’s also full of surreal touches and mysteries, like the organ that somebody drops off on the street and he decides to keep it. (more…)

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Ocean’s Eleven (2001)

Friday, December 7th, 2001

When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?

I think Steven Soderbergh has the right answer. Two Oscar nominations is nothing to commit suicide over. Sure it’s embarassing, but it’s not the end of the world. After all it was only one year earlier that his picture The Limey won Best Picture, Musical Comedy or Badass in the 1999 Outlaw Awards, and that magic could not be entirely faded. So Soderbergh packed up the political pretensions, left them out on the porch in a box marked for the retard center, and went and made a casino heist movie.

Storywise, Ocean’s 11 is pretty standard. Pretty much what you’d expect from an ensemble caper picture. You start out with A) the introduction of characters, also known as the Cavalcade of Robbery All-Stars. You know, you start out in one city where George Clooney gets out of prison, then you zip over to LA where 1999 Outlaw Award Winner Tyler Durden is busy teaching teen actors how to play cards. And zip zip zip as you whoosh around to the different cities to meet different colorful characters with their specialties (explosives, pickpocketing, circus, etc.) George Clooney is Daniel Ocean and then you need ten others to be the eleven, so you go and introduce those people.

At the conclusion of Section A you get Section B, the Brian De Palma’s Mission:Impossible maneuver, which is where you get a lot of diagrams and speeches about how impossible the security system is, how many lasers, how many high tech identification devices and what not, and you (the audience) get to enjoy waiting to find out how in fuck’s name they’re gonna get past all this. It’s all about anticipation and problem solving. (more…)

Osmosis Jones

Friday, August 10th, 2001

This here is one of these live action/cartoon action combos. The live action portion is a story about Bill Murray gets sick from eating a dirty egg. The cartoons is represented by a story about a white blood cell cop (with the voice of Chris Rock) who teams up with Buzz Lightyear to fight off a virus in a city inside Bill Murray.

This is one of those clever ideas where it woulda took a normal person about five minutes to realize that wait a minute, this ain’t clever enough for hundreds of people to spend a year of their lives working on it. And it DEFINITELY ain’t clever enough for millions of innocents to sit through for 90 minutes. But the people of Warner Brothers Studio, Hollywood USA, they are not normal people. So they spent millions on this loser of an idea.

Okay, so the stomach is an airport, and the mouth is kind of like the docks, and viruses are criminals, and a flu shot is an informant, etc. They put some good thought into figuring out all this cleverness but then how are we supposed to invest ourselves in the characters of a cell and a pill? You have to because there’s not much humor in the cartoon parts except for puns like on the flinstones, except instead of having to do with rocks they have to do with bodily functions. Like the mayor is named Mayor Phlegming, etc.

I got an idea for you fellas, how about a movie called Laundry Matt. It’s about a sock named Matt who is looking for his lost twin brother. And all the different articles of clothing are people. And also the lint balls. There could be jokes about bras and panties too. Wouldn’t that be hilarious? Ha ha ha. What a charming and clever idea for a movie! (more…)

Jay & Silent Bob Strike Back

Thursday, August 9th, 2001

JAY & SILENT BOB STRIKE BACK

or

WHAT IN HELL IS WRONG WITH YOU YOUNG FUCKERS TODAY, ANYWAY?

So I just got back from one of these preview screenings they have to pass out promotional materials and start some “buzz” and “word of the mouth” on some movie they want the young kids to pay money for. The movie was JAY AND SILENT BOB STRIKE BACK and the kids slurped it right up. They loved this movie, hooting and hollering and laughing real hard, and leaving with big smiles on their faces.

So if you are one of those people who was looking forward to this one, you will probaly like it. I know alot of the aint it cool newsies really love this sort of crap so if you love this sort of crap then don’t worry, you will pay your money for this one and then there will be laughing.

But for the rest of us – look out! If there is a buzz on this movie, if they tell you it’s funny and you might like it, DON’T LISTEN. Avoid eye contact. Distract them with a simple gesture like plucking a flower petal or unscrewing the cap on a salt shaker, then escape to a neutral area such as a theater playing Takeshi Kitano’s BROTHER. I don’t care if they say “He’s an independent filmmaker making one last lowbrow comedy before moving on to sophisticated adult fare!” Or, “It’s a witty satire about the internet and the age of celebrity!” Or the old, “He writes comic books!” It’s not true. This one is STRICTLY for the hardcores who want to clap and go “whoo” whenever a character from clerks comes on. (more…)

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