Archive for the ‘Action’ Category

Stander

Friday, June 18th, 2004

Dearest Harold,

Vern here and for once I’ve got the genuine article for you. Not just a better than average straight to video-er or something. This is an actual great theatrical film that you haven’t much covered yet and that I know you boys are gonna love. Guaranteed. I saw it here at SIFF and I know it’s played some other film festivals and it’s coming soon to a theater near some place or other. And if nobody goes to see it, well then, fuck those guys. They obviously don’t know what the fuck they’re talking about.

STANDER is the true story of Andres Stander, a police captain turned legendary bank robber in ’70s South Africa. At the height of the revolution he noticed that with all the police on riot duty to stop uprisings and protests, there weren’t enough police to really guard the banks. So he started robbing them, then pretending to investigate his own crimes, until he was caught and then busted out of prison and started his own very successful gang. Seems like a pretty good guy.

So it’s got all the thrills of your favorite bank robber movies but with the unique setting and themes of apartheid era South Africa. Stander is played by Thomas Jane (yes, the punishing guy from the Marvel comics) and like I said he’s a police captain, so obviously he’s a white dude. I don’t know what the real story is, but as it’s portrayed in the movie, the events are set off by his disgust with apartheid and with his own participation in it. The beginning of the movie really creeps you out by putting you in the perspective of a riot cop at an anti-apartheid protest. You watch the protesters (the good guys) marching and singing about Mandela from a helicopter, behind a gun. Things get rowdy, and Stander freaks out and shoots an unarmed man. Afterwards he can’t understand why no one really cares. He feels guilty but he also feels like he should feel more guilty than he does. And this is part of what pushes him to, on a whim one day, rob a bank during his lunch break. (more…)

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Out of Reach

Thursday, June 3rd, 2004

Hey boys, it’s Vern again, sitting out the film festival for a few days or weeks because something much more important came up. Today I managed to get my hands on the video screener I wanted more than any other. You guessed it: Steven Seagal’s new picture, OUT OF REACH.

So obviously, you know, FUCK the Seattle International Film Festival. As one of North America’s leading Seagalogists, I will be watching this many more times as part of my research. But I thought it would be good to share some of my initial thoughts with you and your readers.

Seagal may be at a crossroads in his career right now. As you have no doubt read, he is planning to do a comedy, parodying himself with the help of one of those Zucker brothers. I shoulda known that Mountain Dew commercial was a harbinger of doom. I’m sure this comedy will be one of the least funny pictures of his career, but still, the fact that he is trying to make fun of himself is probaly some kind of a landmark. Once he has acknowledged the ridiculousness of his persona, will that mean he can no longer make serious movies anymore? Because I don’t see Leslie Nielsen doing any movies where he doesn’t dress up like characters from other movies and then that’s supposed to be funny, I guess.

Well luckily Seagal has an assload of serious movies already in production that he’s gonna dump on us before the comedy. This could be the last stretch of true Seagalogy and I intend to enjoy it. This new one OUT OF REACH, you might think from the title that it could be a return to form, going back to his roots. After all, it is his first three word title since, well, since HALF PAST DEAD two years ago, but that was his first 3-worder since FIRE DOWN BELOW in 1997. And unlike either of those pictures, this one has the word ‘OUT’ in the title, like one of his best pictures, OUT FOR JUSTICE. This is his first picture with ‘OUT’ in the title since 2003’s OUT FOR A KILL. But that one’s four words I believe. (more…)

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Never Die Alone

Friday, March 26th, 2004

Well for a while now I have been saying that this young man DMX is gonna do some good movies. He started out in a flawed but very artful crime picture called BELLY, before buddying up with Jet Li and my man Seagal and then riding around on those go-carts and doing wheelies and shit. (I guess I better rent that one.) He is still not a very convincing actor but he just has such a presence and charisma that I have faith in the dude for some reason. Too bad it’s not panning out so far.

See, I really thought this was gonna be his breakthrough. It’s the first movie where he does not have a co-star of equal or greater “star power.” He is the main attraction. And at the same time it is not some Hollywood action vehicle that the Rock or somebody turned down, it is an independent crime movie based on a novel by the legendary black crime writer Donald Goines. Also it’s directed by the sometimes decent director Ernest Dickerson, who has some credibility because he used to be Spike Lee’s cinematographer. Also because I kind of liked BONES.

But my friends I am sorry to report that NEVER DIE ALONE does not work. And I will try to explain why. Because that’s what I do.

DMX plays King David, a drug dealer with what you might call a pretty poor attitude towards other human beings, especially the ladies. In the opening scene, he is dead in a coffin and narrating about his life. “The Hindus have a word for it… ‘karma.’” Oh, thanks for introducing that exotic new concept to us there bud. Then it goes back to two days earlier and I was ready to see a thrilling story about the last two days before this guy got killed. (more…)

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Starship Troopers 2: Hero of the Federation

Thursday, March 25th, 2004

Dear fellas,

As promised back when I reviewed WILD THINGS 2: DARK TERRITORY, I have returned with a review of STARSHIP TROOPERS 2: HERO OF THE FEDERATION, a much better straight to video sequel in my opinion. But that’s not saying much. But it’s okay though.

This part 2 is directed by Mr. Phil Tippett, the special effects genius who worked on such other part 2s as STAR WARS part 2, INDIANA JONES part 2, ROBOCOP part 2 and HOUSE part 2. He was also “demon supervisor” on THE GOLDEN CHILD part 1. He has his own studio which did some of the effects in BLADE part 2, in case any of the talkbackers were wondering how I was gonna work that one into this review.

Anyway more importantly Mr. Tippett did the effects for the first STARSHIP TROOPERS and he has also brought back the same writer, Ed “I also did ROBOCOP” Neumeier. So we’ve got some of the same people involved, even if we’re missing the crucial ingredient of Paul Verhoeven, perverted Dutchman.

The story though is scaled way down, obviously. It starts with a big bug battle like in the original, only this time it has a real “yep, you got us, we shot this in a basement in Vancouver” feel to it. Like they got 4 people huddled together trying to pretend they’re a crowd of hundreds. It feels pretty cheap and reminds you of how epic Verhoeven’s picture was, going between a futuristic Earth, various war zone planets and big space battles. Especially since they use a couple clips from the original movie in the opening propaganda reel. (more…)

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Belly of the Beast

Friday, November 14th, 2003

Boys -

I know you are fans of the hong kong cinema, martial arts, karate, and etc. So I bet you probaly know who Ching Siu-Tung is. Or maybe you know him as Siu-Tung Ching, or Siu-tung Chin, or Tony Tung Yee Ching, or Xiaodong Cheng, or Tony Ching Siu Tung, or just plain Tony Ching. I don’t know, the dude has lots of names. But the point is not what the dude’s name or names is, the point is what the dude does. He may not be as well known in the united states of america as your John Woos or your Yuen Woo Pings or your Tsui Harks. But I bet you’ve seen some of his works before.

This is the man who directed A CHINESE GHOST STORY 1, 2 and 3. This is also the man who directed the SWORDSMAN 1, 2 and 3. And ROYAL TRAMP 1 and 2. He choreographed the fights for Johnny To’s fucked up super hero movie HEROIC TRIO and then went on to direct its sequel, a dark little postapocalyptic fucker we call EXECUTIONERS. He also directed NAKED WEAPON, NEW DRAGON INN, THE DUEL, MAD MONK and DR. WAI AND THE SCRIPTURE WITHOUT WORDS.

Not that I’ve seen most of those movies but I bet you have. Good shit, right?

Well now Mr. Ching, or Xiaodong as some call him, or Siu-Tung, but he lets me call him Tony– well Tony has directed BELLY OF THE BEAST, a Canadian/UK/Hong Kong co-production in the language of English. It will be released here on the DVD type format on December 30th, the eve of the futuristic year 2004. Although it is in a bit more of an americanized style, Tony was able to do the kung fu choreography and include many of his usual motifs and themes: magic and mysticism, stylized martial arts with wirework, swordplay and even androgyny/gender confusion (the main theme of the SWORDSMAN trilogy). (more…)

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Once Upon a Time in Mexico

Friday, September 12th, 2003

When last we saw the Mariachi, he had killed his drug dealer brother to avenge his lover’s death and the career-ending injury of his hand. He had found a new love (Carolina) and had indirectly caused the shooting of a little boy he had given guitar lessons to. He decided to give up violence, but only a little bit, so he kept his guitar case full of weapons “just in case.”

When we see him again in ONCE UPON A TIME IN MEXICO he has become even more mythical than before. Instead of having to send Steve Buscemi to bars to make up stories about him, the bartenders themselves tell the stories. His hand has healed so he can play guitar better than ever, in fact he likes to just walk around playing guitar even when people are trying to kill him. Robert Rodriguez knows how to make a hand made guitar look like the most beautiful thing in the world, so it’s good that the Mariachi is hiding out in a town of guitar makers who like him to test their creations.

In DESPERADO, Mr. Rodriguez really fucked around with the conventions of sequels and action storytelling. He put a large gap between DESPERADO and EL MARIACHI where we the viewers had to imagine how this guy went from a regular dude to Antonio fucking Banderas, how Steve Buscemi became like a brother to him, and how he picked up these other badass mariachi friends who will give their lives for him and fire rockets out of their guitar cases.

And remember how Rodriguez made a subplot about one of the villain’s henchmen? You see this babyfaced guy’s initiation into the family, where he proves himself by spinkicking a guy AFTER having his leg broken. You feel a connection to this guy and you know that you’re following him for a reason… but you’re wrong! He just gets an unspectacular death by bullet like any nameless, faceless thug. You never know what to expect. (more…)

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Out for a Kill

Friday, July 4th, 2003

Boys -

Well I think it’s been a real good movie summer so far with RETURN TO THE MATRIX and THE AMAZING HULK and CHARLIE’S ANGELS GO FULL THROTTLE and JOHN ASHCROFT VS. THE X-MEN and etc. But now we’re at that crossroads of summer where it could go either way. Now it’s the more iffy movies and the sequels you’re not sure you want or you know for sure you don’t want. Okay, sure, people always wanted TERMINATOR 3 but did they want it if it had to be directed by the guy who made that submarine movie that they never bothered to see, even though they heard Bon Jovi got his head chopped off? A more extreme case is BAD BOYS PART 2. Oh yeah, I always wanted to revisit those great characters, officer (insert will smith’s character name) and officer (guy from big momma’s house). It will be great to find out what has happened to them since that bank robbery, murder, drug deal, kidnapping or whatever the fuck it was that they stopped back in that other movie. I wonder if they still like to sing the theme song from “COPS”, which was already a dated reference when the first movie was made like TEN FUCKING YEARS AGO. Maybe this one will be more up to date and they’ll get some Judge Ito jokes in there. Maybe throw in a “Is that your final answer?”

So fuck that shit, we need something that will bring us all together in unity and togetherness and what not. So what I have for you today is a review of something we all can agree on, and that is a new Steven Seagal straight to video movie. With the release of this movie, everybody wins: Seagalogists like me can study his new works in the privacy of their own homes, everyone else can pretend Seagal does not exist since they do not see his name on a marquee.

With that in mind… what do you call it when you’re not really OUT FOR JUSTICE, and you’ve already said you were HARD TO KILL, and you want to come up with something else to call yourself? Well, how about OUT FOR A KILL? That is in fact the name of the new picture. (more…)

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On Deadly Ground

Monday, October 14th, 2002

Boys–

I know how you feel about film festivals. You’re for them, right? I think one of you said you were. I’ve seen a couple good pictures at the Seattle International Film Festival but that’s about it for me. Until today, when I decided to venture south to the Olympia Film Festival. And I’m real glad I did.

Usually I avoid Olympia. I know it’s our state capital, it once had a fine brewery and they got lots of college kids who brag because the rock band Sleater-Kinney was named after a street they still have near there. But I mean come on. The street isn’t even that good. In the downtown area the buildings are too far apart, and everything is closed. At least on Sunday. Anyway today they finally got a reason for me to go there: ON DEADLY GROUND.

Now if you know me, you know I wasn’t gonna miss ON DEADLY GROUND showing in a film festival, even if it was on the other side of the god damn planet. ON DEADLY GROUND is a unique specimen among ’90s action movies, with an admirable spirit of cornball politics you don’t usually see anymore, if you ever did. I think of it as a loose remake of BILLY JACK, transported to an oil rig in Alaska, and without all the hippie girls strumming guitars. The protagonist, Forrest Taft, is an ex-CIA badass who puts out fires for an oil company. Like Billy Jack, he is a white guy who has appointed himself as the defender of Native American culture and dignity, and he preaches non-violence but always finds himself having to throw guys through windows and shit. The movie also has BILLY JACK-like unruly town meeting scenes where natives angrily yell about various outrages, but to quote Senator Robert Byrd, they “might as well be talking to the ocean.” And like Billy Jack, Forrest Taft is injured and taken in by Native American healers who perform a ritual with him and tell him what his spirit animal is. But in this case they are eskimos and – here’s the twist – instead of a snake, he’s a bear.

See, that makes it totally different. Also there’s a scene where he gets bit in the balls by a dog. (more…)

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Love and a Bullet

Monday, September 30th, 2002

Boys -

Did you notice how Mel Gibson’s Jesus movie was really controversial in the talkbacks until you mentioned Superman? Man I don’t think I’ve ever seen the newsies so worked up. I think in about 20 years when this generation of “geeks” is in power we will see comic book fundamentalists controlling governments around the world the way religious fundamentalists do today. Trying to force their Superfriends morals on everybody else. Some nutty congressman from the Utility Belt will get them to hang up the X-Men letters page in schools and courthouses. It’ll be an interesting time.

But until then this is what I got for you boys, a review of LOVE AND A BULLET starring some rapper named Treach, due to be released on video December 3rd. I happened to watch this during my usual patrol of straight-to-video screeners thinking it would be more garbage. Apparently it has played in theaters somewhere, but how was I supposed to know? I never heard of it. Anyway, the reason I wanted to review it is because it’s SURPRISINGLY UN-BAD.

Now I’m not gonna claim it’s great, because it’s not. In fact it’s yet another self consciously hip hitman-comedy and I guarantee it will annoy the shit out of many of you. But I was surprised to find myself laughing with alot of the jokes and ultimately enjoying the thing. It’s loaded with cliches but it mixes them around in ways you don’t always expect and sometimes it surprises you. Having watched other straight-to-video-urban-action-thrillers such as EASTSIDAZ and URBAN MENACE and WAR STORIES I think it is important for those of us who watch that kind of crap to praise those who are able to work in this genre and rise one or two millimeters above mediocrity. Even in the worst parts, you at least can tell they’re TRYING, and sadly you don’t see that every day. Good job boys. (more…)

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xXx

Friday, August 9th, 2002

Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.

XXX is completely asinine. And I loved that about it. For about half an hour. Then it just got boring in the exact same way all the modern James Bond movies are boring. It takes a special type of standard lowering to enjoy ANYBODY driving around dreary european villages on motorcycles shooting machine guns and blowing things up in the usual ways. You can only watch a henchman shot into the air by an explosion so many times before you start to ask for more from your badass cinematists. I don’t care if you had a young Clint Eastwood riding piggyback on Steve McQueen, you’d still get bored with this movie before it got to the climax.

Vin Diesel plays Xander Cage, an “action sports” legend on “underground web sights.” In the opening he steals a Corvette from a senator at a country club. While the cops chase him he makes a video saying that the senator tried to ban rap music and video games. Then he jumps the car off a bridge and parachutes out. So he’s a terrorist folk hero to all pudgy 13 year old suburban kids in Slipknot t–shirts. Those kids who you see on the bus wearing big headphones to hide from the world until they are physically capable of growing their first soul patch.

The movie is obvious about playing to the fantasies of these kids. He mentions Playstation at least once, and knows how to use a gun from playing “first person shooter games”. The extreme sports angle is as humorous as you’d expect. My favorite touch is the scene where he is pointing at a map going over tactics with a team of special agents, and he’s holding a can of Amp. (more…)

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