Everly (Salma Hayek) is one of these sex slaves who doesn’t know Liam Neeson or Tony Jaa, so she has to take justice into her own hands. Her movie starts right in the thick of things, but we quickly start to piece some of her story together: she’s been kept woman to a Yakuza for four years, taken away from her young daughter, and she can’t stand it anymore. She had an escape planned with a police officer she trusted, but he hasn’t shown up. Now she’s here in the bathroom with one stashed gun and a bag full of money, so she can either kill herself or take that one opportunity that Eminem talks about in that one song.
In a way this is a DIE HARD type movie. It’s one person fighting off many criminals in a contained location, in this case the fancy apartment she’s been stuck in. It’s even Christmas time, though she is not bare foot, so in that sense it’s more like DIE HARD 2. And she can fight better than we probly could, but it’s all tenacity, she’s not a super woman. She gets shot, cut, stabbed, she cries, she messes up, but she keeps fighting. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.