LUCY is the new movie by Luc Besson and his first directorial work since… THE MESSENGER? … to be noticed much in the U.S. He had supposedly retired from directing after ANGEL-A in 2005, but then he made another one of those ARTHUR children’s movies and by 2010 he was doing THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC (which I liked) and fuck it, he was still a director. Last year he did THE FAMILY with Robert DeNiro and Michelle Pfeiffer (which I, like most Americans, haven’t gotten around to yet) but now all the sudden he has this LUCY and it’s a big hit, opening much bigger than The Rock’s HERCULES even though that one is PG-13. (There actually was a point early in LUCY where I thought to myself “Oh good, they do still make R-rated movies.”)
Scarlett Johansson plays the titlogical Lucy, a student in Taiwan when her douchebag boyfriend of one week (a Donal-Logue-at-a-rave type dude with a shitty cowboy hat and yellow-tinted glasses) gets her involved against her will with some ruthless gangsters led by Choi Min-sik (OLDBOY). She doesn’t speak the language so she barely knows what’s going on by the time she has a bag of experimental drugs (actually blue pop rocks I think) sewn into her belly for clandestine transport.
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.