Wow, Takashi Miike’s got another great samurai remake under his belt, and this time as far as I’ve heard he didn’t even have to cut out a demon-rape scene to make it classy. Like 13 ASSASSINS it’s got a strong mood and great story built upon the great structure (I’m told) of the original (Masaki Kobayashi’s HARAKIRI ). A word of warning, though: this one is not the action spectacular that 13 A’S is. It’s closer to the classical tradition where it’s a drama about castes, codes, corruption and conflict, and eventually you know they’re gonna pull out the swords, but that’s the cherry on top, not the actual ice cream.
I’d heard that, and it made me hesitant, but it turns out it wasn’t necessary. This is one of the best movies I’ve seen in the last year. I loved it. Not just a LIMITS OF CONTROL “this is trying my patience but is intellectually interesting in some ways” type of appreciation. Even watching it late one night after work I found it genuinely engrossing from beginning to end (although I had to have somebody decode the final scene for me because by that time it was past 3 am and I was losing consciousness). (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.