Let’s say you are a feedback and distortion fetishist. Fuzz and blips, pixelation, video lines, VHS rolling from bad tracking – these things get you hard. That’s fine. We are all beautiful snowflakes. What you do in that case is you make a video of all that stuff, you hide it under your bed, you get it out when you’re lonely. What you don’t do unless you have no self control is make a feature film needlessly slathered in that shit and release it in theaters and on home video to paying audiences who want to be told a story and not just watch little flickers and shit.
More to the point, let’s say you are also a wiseass camera operator who enjoys running through explosions in a firesuit or rollerblading around holding a camcorder, but have not yet developed an interest in some of the other elements of photography such as framing or holding still. Fine! Great! That is your calling, you should rollerblade all you want. It is probly good aerobic exercise. But I have one caveat: if your plan is to incorporate that footage into an actual movie and not just an episode of JACKASS then you have a responsibility to look at the footage first and ask yourself if somebody could watch it and understand what in God’s holy name is being shown. And if the directational fraternity duo Nevildine/Taylor were being honest with themselves the answer to that question would usually be “No. No, not at all. Oh jesus, no, are you kidding me? Uh uh.” I’m thinking maybe these guys should forget about the cameras and just be stunt men. They seem more interested in carrying the camera through risky situations than actually pointing the lens of it at specific things. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.