“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Archive for April, 2003

House of 1000 Corpses

Saturday, April 19th, 2003

Well this is the long delayed horror movie from first time writer-director Robert Zombie. Let’s face it, that’s probaly not the dude’s real name. But I like it better than “McG.” Apparently Mr. Zombie is some sort of rock and/or roller who directs his own videos and draws his own album covers, and my guess is that he’s better at the artistical stuff than at the actual rock n roll.

Everything I know about Rob Zombie I know from this movie. I know that he likes brutal ’70s horror movies, in particular THE TEXAS CHAIN SAW MASSACRE but also probaly THE HILLS HAVE EYES. I know that he is fascinated by gaudy roadside attractions, tasteless t-shirt slogans, phoney sideshow curiosities, serial killer legends, spookhouse rides, scary rednecks, Bela Lugosi movies, Zacherly-style TV horror hosts, iconic Halloween decorations, oversized paper mache masks, gimmicky cereal boxes, old video footage faded to the point of abstraction, violent satanic rituals. He also has great taste in b-movie actors judging by the cast which includes Sid Haig (SPIDER BABY), Bill Moseley (TEXAS CHAINSAW MASSACRE PART 2), Tom Towles (HENRY: PORTRAIT OF A SERIAL KILLER) and Karen Black (everything). If you cram all of those motifs and influences so that they barely fit into one movie, this is what you get. Or to put it another way, you take the first two texas chain saw movies, and you put an episode of Pee Wee’s playhouse in between em, then you smoosh it together like a peanut butter sandwich and keep it in your pocket for a while. like that imaginary sandwich the movie is kind of sticky and messy and doesn’t really work but it’s got a lot of good shit in there. I’m not sure why the hell you would put a sandwich in your pocket though, that’s kind of a weird analogy. what the hell man. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Y tu mamá también

Tuesday, April 15th, 2003

You probaly heard of this cute little Mexican sex movie that was nominated for some oscars. It’s really a sentimental story about two young friends on a road trip but it’s also about their sexual experimentation and it’s got alot of the NC-17 sex that’s so hot there were urban legends going around that the sex was all real. So naturally they hired the director to do the next henry porter movie.

The title translates to AND YOUR MOTHER TOO or, in other words, I FUCKED YOUR MOTHER. I FUCKED YOUR MOTHER is directed by Alfonso Cuaron who also directed A LITTLE PRINCESS, an extremely well made fable that’s probaly the real reason they hired him to do Henry Porter. That movie is about a little girl who defies her harsh boarding school by escaping into an imaginative story world. There’s ten headed monsters and all kinds of shit. Everything you want in a henry porter adventure. Shit I admit it I loved that movie, I just never reviewed it because I’m still embarassed by that time I reviewed FLY AWAY HOME. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.