“I’m Paul Barlow, and this is my daughter Jo.”


“You got a first name?”


Archive for August, 2002


Friday, August 23rd, 2002

I decided a long time ago to stop reviewing prison movies. People always ask me what I thought of this prison movie or that. They recommended ANIMAL FACTORY and that was a real good one, but I don’t want people to take me more seriously about prison than they would other film writers like the guy from Entertainment Weekly or the guy from People Magazine and etc. Plus, why would I want to sit around and watch movies about a place like that anyway.

I made an exception for UNDISPUTED though because I been looking forward to this ever since I saw the trailer before BLADE II. The BLADE pictures made me love Wesley Snipes and I try to see any movie he does now, even if it looks like some asinine remake of ROCKY, but in prison. (read the rest of this shit…)


Monday, August 19th, 2002

Hey folks, Harry here… I’m not allowed to say anything further about Vern, under penalty and threat of death… Knowing the rumors I’ve read about what Vern can do and organize to be done, I have great fear for the man known as Vern. Beware of Vern. Be Afraid… He’ll hurt you with laughter sometimes… sometimes with sledgehammers… You’ll see…

Dearest Harry and Moriarty,

I thought for a second there I discovered a movie you didn’t know about. But after a thorough study of your “search engine” device I found out that some other individual reviewed COMIC BOOK VILLAINS once when it played at Cannes (a popular french film festival). I read over the review though and I disagreed with almost every point he made. I’m not saying it’s BLADE 2 or even CITIZEN KANE, but it is a surprisingly good small straight to video type picture and I have reason to believe that Harry and others would enjoy it when it comes out September 3rd on the video and dvd type mediums. By others I mainly mean Moriarty, I guess. But I will get to the movie after this next paragraph which is just rambling and bullshit, etc. (read the rest of this shit…)

The Strange Case of the White Executive Jet, Iraq Attack 2, The Good News, More Bad News Though, The Nerdy Shit – Digital Projection and Video

Sunday, August 11th, 2002


Well we had our fun last column with “Jason vs. Predator” and etc. but this time, before we get to the nerdy shit, we gotta talk about Iraq. And before we even get to that I gotta bring up something I bet most of you haven’t even heard about: the mysterious “white executive jet” that the press casually connected yesterday to Flight 93, the plane that crashed in Pennsylvania. I don’t know the significance of this jet but I think it’s a good example of the big pile of lies we americans keep getting buried under, without much complaint.

It all begins with an article in Newsday and other sources about “Moussaoui Jury to Get Sept. 11 ‘Replay’ – Videos, airliner cockpit recordings to be offered.” The story is basically a press release rewrite about prosecutors’ plans for the trial of Zacarias Moussaoui, the nutball who they want to execute in connection with the hijackings even though he was in jail at the time. (read the rest of this shit…)

Blood Work

Saturday, August 10th, 2002

This latest directorial work by our greatest Badass Laureate, Mr. Clint Eastwood, didn’t go over too well in theaters. It was barely advertised and it disappeared about as fast as Mr. De Palma’s great FEMME FATALE. I figured how could you go wrong – starring Clint, directed by Clint, written by Brian Helgeland who wrote the Outlaw Award winning picture PAYBACK. But everyone told me it wasn’t too hot, kind of boring, with a predictable plot twist.

Well now I’ve finally caught up with it and although it’s not an outstanding new high for Clint like FEMME FATALE is for Brian DePalma, there is nothing wrong with it at all. In fact any fan of Badass Cinema owes it to themselves to see it as one of the only american pictures relevant to our genre this year. It’s an old school cop thriller but for some reason it reminded me most of IN THE LINE OF FIRE. I think one reason Clint has stayed relevant (well, up until now I guess since nobody saw this one) is because he acts his age. He doesn’t pretend to be a young man even if he’s kissing gals who are younger than him. He is very conscious of being an old man. (read the rest of this shit…)


Friday, August 9th, 2002

Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.

XXX is completely asinine. And I loved that about it. For about half an hour. Then it just got boring in the exact same way all the modern James Bond movies are boring. It takes a special type of standard lowering to enjoy ANYBODY driving around dreary european villages on motorcycles shooting machine guns and blowing things up in the usual ways. You can only watch a henchman shot into the air by an explosion so many times before you start to ask for more from your badass cinematists. I don’t care if you had a young Clint Eastwood riding piggyback on Steve McQueen, you’d still get bored with this movie before it got to the climax. (read the rest of this shit…)

The Good Girl

Thursday, August 8th, 2002

This is the latest from the director Miguel Arteta and the Writer Mike White, who did CHUCK AND BUCK together. Mr. White also used to write for some tv shows, one supposedly really good and the rest called DAWSON’S CREEK and PASADENA. More recently he wrote the only okay ORANGE COUNTY and had a funny cameo in it. He has a small role here where he gets some laughs. He was the star of CHUCK AND BUCK and he’s a real goofball so when he appears in his movies you always want him to have a bigger part.

Before we move on I gotta ask, is this or is this not the same Mike White who does the zine Cashiers Du Cinemart that I used to always get spam for until dejanews shut down and I changed my e-mail? [UPDATE: I e-mailed the Cinemart Mike White, and he said he was not the GOOD GIRL Mike White.] If so that would also make him the same Mike White who makes the videos trying to point out which parts of Tarantino movies are similar to other people’s movies, which would make him kind of an ass. Somebody told me it was the same dude and I tried to verify it but the closest thing I could find for verification was that the Cinemart guy says he doesn’t have a new issue because he spent all of 2001 finding a new house, and then an interview with Miguel mentions that they auditioned Jake Gyllenhall in Mike White’s brand new house and he threw a chair and put a hole in the wall. That’s a pretty good clue I think but I don’t know if it would hold up in a court of law. I mean I wouldn’t want to besmirch Mike White’s name if there were two of them, like how there’s one George Miller who did MAD MAX and the other one who did the Steve Guttenberg movie where a dog rides on a dolphin’s back. (read the rest of this shit…)

Spy Kids 2: Island of Lost Dreams

Wednesday, August 7th, 2002

This is the story of a man (me), a famous television critic (Gene Shalit) and a children’s action picture called SPY KIDS PART 2. Three entitities living their separate existences. Independent and peaceful. And it coulda easily stayed that way, if not for the simple words of a newspaper advertisement. But it was not to be. Because of those words, our three lives converged. And we would be changed for a while, I guess.



Now I gotta be honest. Normally I don’t pay attention to these fuckwads on the ads. I am one of the most important film Writers today and I never been quoted once. So obviously these people aren’t the cream of the crop. But there was something about this quote from Gene Shalit that intrigued me. (read the rest of this shit…)

That Trailer Trash Bastard VERN reviews some scribbly cartoon called SPIRITED AWAY by Miyazaki!

Friday, August 2nd, 2002

Hey folks, Harry here… I finally met Vern when I went to Seattle recently. Just so you know, Vern is actually a Paul Bunyon looking muther. He’s literally like 6’11” 310lbs – solid as a granite dildo slammed home! He has most of his original teeth, and a few he’s knocked out of others’ heads that he keeps in a ju-ju medicine bag that hangs around his neck – “Nobody fucks with the Vern!” – He reminds me of a redneck John Sayles. Without further thumb twiddling, here’s Vern…

Dear Harry,

Usually I address my stories to you AND moriarty, but now that you’ve been to seattle, it’s like we have some kind of bond, you know. who needs that old “professor” joker anyway. all he does is drone on and on. “this is a great little piece of character acting” blah blah blah. Isn’t he still on 1986 in the best of the ’90s list? GET IT THE FUCK TOGETHER, moriarty. jesus. (read the rest of this shit…)


Friday, August 2nd, 2002

There are bigger fans of M. Night Shymalan than me. He seems a little too nice to me, trying too hard to please everybody. They call him a new Spielberg but if so he’s a new Spielberg who skipped over the young vital years of Spielberg when he made shit like DUEL and JAWS. Still, I really like this young man’s style. He seems to have a couple of trademarks already. He treats supernatural themes very seriously and in a unique style that tricks mainstream audiences into thinking they are not watching a genre picture. He populates his stories with precocious child actors and movie stars who give uncharacteristically quiet performances. His stories have themes of tragedy and loss, and they are much more about character and suspense than about actual action. SIXTH SENSE was about discovering what’s goin on with these ghosts, not running from them or fighting them. And UNBREAKABLE was a super hero movie without a single scene of somebody swingin on a rope or shooting a laser or something. (read the rest of this shit…)